Database / Artworks
Artworks
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso)
Amico Aspertini
Black chalk, pen and brown ink (recto); pen and brown ink over traces of black chalk (verso) · 1474
The Metropolitan Museum of Art
Group of Warriors Standing
Perugino
Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper. · 1471
The Metropolitan Museum of Art
Study of the Head of a Youth Gazing Upward
Perugino
Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink. · 1471
The Metropolitan Museum of Art
Study of the Head of a Youth Gazing Upward
Pietro Perugino
Black chalk; Squared in black chalk; eyes, nose, ears, mouth retouched with pen and brown ink. · 1471
The Metropolitan Museum of Art
Group of Warriors Standing
Pietro Perugino
Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper. · 1471
The Metropolitan Museum of Art
![Study of a Madonna [verso]](https://api.nga.gov/iiif/942425d5-018d-44a9-ba87-dfb0057226b7/full/!800,800/0/default.jpg)
Study of a Madonna [verso]
Leonardo da Vinci
black chalk on laid paper · 1470
National Gallery of Art
Saint Jerome (recto); Soldier with a Spear (verso)
Vittore Carpaccio
Brush with black ink and gray wash, over black chalk or charcoal, highlighted with white gouache (recto); black chalk, highlighted with white gouache, with some brush and gray wash (verso) · 1460
The Metropolitan Museum of Art
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
Metalpoint, black chalk on white prepared paper · 1446
The Metropolitan Museum of Art
Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso)
Domenico Veneziano
Brush and gray wash, highlighted with brush and white gouache, on faded blue paper (recto); fragment of the Temptation of Adam and Eve in pen and brown ink, over black chalk, on blue paper that has not faded (verso) · 1435
The Metropolitan Museum of Art
Standing Youth Leaning on a Long Staff (recto); Seated Man (verso)
Domenico Veneziano
Brush and gray wash, highlighted with brush and white gouache, on faded blue paper (recto); faint black chalk sketch of a seated man (verso) · 1435
The Metropolitan Museum of Art
Temptation of Saint Anthony
Pietro della Vecchia
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid card · 1430
Art Institute of Chicago
Saint Philip Seated, Holding a Book and a Cross
Francesco Pesellino
Brush and brown wash, highlighted with white gouache, over black chalk · 1422
The Metropolitan Museum of Art
Saint Philip Seated, Holding a Book and a Cross
Francesco Pesellino
Brush and brown wash, highlighted with white gouache, over black chalk · 1422
The Metropolitan Museum of Art
A Young Man in Armor, Facing Front
Arcangelo
Pen and brown ink, brown wash; various markings in black chalk probably by a later hand. · 1420
The Metropolitan Museum of Art
Stag Hunt with Rifles
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and brown and black washes over black chalk on laid paper.
Cooper Hewitt, Smithsonian Design Museum
Beheading of Saint Paul
Domenico Mondo, Italian
figures, drawing — black chalk, brush and gray, white wash on gray-blue paper, lined
Cooper Hewitt, Smithsonian Design Museum
Design for a Surtout de Table (Centerpiece)
Giuseppe Barberi, Italian
metalwork, drawing — black chalk on paper
Cooper Hewitt, Smithsonian Design Museum
Elevation of Salt Cellars
Felice Giani, Italian
figures, drawing — black chalk on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Sculptured Frieze with Half-Figure of Winged Boy and Griffon
Felice Giani, Italian
figures, drawing — black chalk on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Orchestra Platform and Setting
Giuseppe Barberi, Italian
theater, drawing — pen and ink, brush and gray and brown wash, black chalk on laid paper
Cooper Hewitt, Smithsonian Design Museum
Burning of the Borgo, after Raphael
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and sepia wash over black chalk on laid paper
Cooper Hewitt, Smithsonian Design Museum
Adam and Eve, The Temptation
Felice Giani, Italian
figures, drawing — pen and ink, brush and watercolor, black chalk on paper
Cooper Hewitt, Smithsonian Design Museum
Stage Design of a Church
Giuseppe Barberi, Italian
theater, drawing — pen and brown ink, brush and brown wash, black chalk on off-white laid paper
Cooper Hewitt, Smithsonian Design Museum
Two Designs for Portico and Court of Palace
Felice Giani, Italian
theater, drawing — pen and ink, brush and brown wash, over traces of black chalk on heavy white paper
Cooper Hewitt, Smithsonian Design Museum