Database / Artworks

Artworks

4,041 records · black chalk
Caritas Romana
Caritas Romana
Abraham Bloemaert
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago
The Judgment of Paris
The Judgment of Paris
Alessandro Allori
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper · 1583
The Metropolitan Museum of Art
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
Madonna and Child in Glory, with Three Male Saints Below
Madonna and Child in Glory, with Three Male Saints Below
Francesco Vanni
Pen and brown ink, with brush and brown wash over black chalk, on buff laid paper, tipped onto ivory wove paper · 1583
Art Institute of Chicago
Madonna and Child in Glory, with Three Male Saints Below
Madonna and Child in Glory, with Three Male Saints Below
Francesco Vanni
Pen and brown ink, with brush and brown wash over black chalk, on buff laid paper, tipped onto ivory wove paper · 1583
Art Institute of Chicago
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
The Judgment of Paris
The Judgment of Paris
Alessandro Allori
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper · 1583
The Metropolitan Museum of Art
The Dispersion of the Spanish on the Adda under Giovanni de’ Medici
The Dispersion of the Spanish on the Adda under Giovanni de’ Medici
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk, with corrections by the artist in white opaque paint on laid paper · 1583
Cooper Hewitt, Smithsonian Design Museum
Charles V defeating the Turks near Vienna, 1529 [above]; Battle Scene with King, Elephants, Cavalry and Infantry [below]
Charles V defeating the Turks near Vienna, 1529 [above]; Battle Scene with King, Elephants, Cavalry and Infantry [below]
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1583
Cooper Hewitt, Smithsonian Design Museum
Two Studies of a Man
Two Studies of a Man
Remigio Cantagallina
pen and brown ink with brown wash over black chalk on laid paper · 1582
National Gallery of Art
The Fair at Impruneta
The Fair at Impruneta
Remigio Cantagallina
pen and brown ink with brown wash over black chalk, squared in red chalk · 1582
National Gallery of Art
Juno Appearing to Sea Gods
Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art
Christ Washing the Disciples’ Feet
Christ Washing the Disciples’ Feet
Giovanni Balducci
Pen and brown ink and brush and brown wash, over black chalk, on cream laid paper · 1582
Art Institute of Chicago
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Niccolò Circignani, (Pomarancio)
Pen and brown ink, with brush and pale brown wash, with black chalk (recto) and black chalk (verso), on ivory laid paper · 1582
Art Institute of Chicago
The Conversion of Saint Paul
The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art
Virgin and Child
Virgin and Child
Domenichino
Black chalk on cream laid paper (discolored to tan), laid down on ivory laid card · 1581
Art Institute of Chicago
Portion of the Martyrdom of Saint Cecilia
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Study for Saint Michael Casting Out Lucifer
Study for Saint Michael Casting Out Lucifer
Francesco Vanni
Black chalk on cream laid paper · 1581
Art Institute of Chicago
Study for Saint Michael Casting Out Lucifer
Study for Saint Michael Casting Out Lucifer
Francesco Vanni
Black chalk on cream laid paper · 1581
Art Institute of Chicago
Bishop Saint (Ambrose?) Exorcising the Devil
Bishop Saint (Ambrose?) Exorcising the Devil
Giovan Battista della Rovere
Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on blue laid paper, laid down on cream laid paper · 1581
Art Institute of Chicago
Virgin and Child
Virgin and Child
Domenichino
Black chalk on cream laid paper (discolored to tan), laid down on ivory laid card · 1581
Art Institute of Chicago
Portion of the Martyrdom of Saint Cecilia
Portion of the Martyrdom of Saint Cecilia
Domenichino
Black chalk · 1581
The Metropolitan Museum of Art
Assumption of the Virgin (recto); Sketches of Architectural Details (verso)
Assumption of the Virgin (recto); Sketches of Architectural Details (verso)
Florentine
Black chalk with pen and brown ink and brush and pale purple wash (recto), and pen and brown ink with brush and gray wash with traces of black chalk (verso), on cream laid paper · 1580
Art Institute of Chicago
Concert Scene
Concert Scene
Florentine
Black chalk heightened with touches of white chalk, on blue laid paper, tipped onto cream wove paper · 1580
Art Institute of Chicago
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