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Artworks

4,062 records · black chalk
Study for the Christ Child in the Madonna of S. Simone (recto); Study of a Landscape (verso)
Study for the Christ Child in the Madonna of S. Simone (recto); Study of a Landscape (verso)
Federico Barocci
Black chalk, with stumping (recto), and black chalk, with touches of red chalk (verso), on cream laid paper · 1567
Art Institute of Chicago
God the Father
God the Father
Bernardino Campi
Black chalk, heightened with white gouache, squared in black chalk, on gray-brown laid paper, laid down on cream laid paper · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Angels and Putti in the Clouds
Angels and Putti in the Clouds
Federico Zuccari
black chalk · 1566
Odysseus and Teiresias
Odysseus and Teiresias
Gerrit Pietersz. Sweelinck
pen and brown ink with brown wash, heightened with white, over black chalk on laid paper · 1566
National Gallery of Art
Angels and Putti in the Clouds
Angels and Putti in the Clouds
Federico Zuccaro
red and black chalk over graphite?, incised with stylus, on laid paper squared with red chalk · 1566
National Gallery of Art
Entombment
Entombment
Bartholomaeus Spranger
Pen and brown ink with brush and brown wash, heightened with lead white (discolored), over black chalk, on blue laid paper, laid down on ivory laid paper · 1566
Art Institute of Chicago
Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads
Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads
Taddeo Zuccaro, Italian
Pen and brown ink, brown wash, black chalk on gray paper · 1566
Cooper Hewitt, Smithsonian Design Museum
Design for a Tondo with Arms of Cardinal Giulio della Rovere
Design for a Tondo with Arms of Cardinal Giulio della Rovere
Niccolò Martinelli, called il Trometta, Italian
Pen and brown ink, brush and brown wash, white gouache over traces of black chalk on blue laid paper · 1566
Cooper Hewitt, Smithsonian Design Museum
Academic Male Nude
Academic Male Nude
Agnolo Bronzino
Black chalk on cream laid paper · 1565
Art Institute of Chicago
The Discovery of Glass
The Discovery of Glass
Giovanni Maria Butteri
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; stylus-ruled construction · 1565
The Metropolitan Museum of Art
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Academic Male Nude
Academic Male Nude
Bronzino
Black chalk on cream laid paper · 1565
Art Institute of Chicago
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
Grotesque with a Satyr Feeding a Dragon (recto)
Grotesque with a Satyr Feeding a Dragon (recto)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Witchcraft Scene with a Vampire [recto]
Witchcraft Scene with a Vampire [recto]
Jacques de Gheyn, II
pen and brown iron gall ink over black chalk · 1565
National Gallery of Art
Two Nude Youths [recto]
Two Nude Youths [recto]
Federico Barocci
black chalk heightened with white, contours (of standing figure) incised, on blue paper · 1565
National Gallery of Art
Half-Length of Mary Magdalene [verso]
Half-Length of Mary Magdalene [verso]
Federico Barocci
black chalk heightened with white on blue paper · 1565
National Gallery of Art
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a Leaping Centaur (verso)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Grotesque with a Satyr Feeding a Dragon (recto)
Grotesque with a Satyr Feeding a Dragon (recto)
Marco Marchetti
pen and brown ink and brush and brown wash, over traces of black chalk · 1565
Cleveland Museum of Art
Madonna and Child in Glory above Three Saints
Madonna and Child in Glory above Three Saints
Giovanni Battista Paggi, Italian
pen and brown ink (iron gall) over black chalk(?) · 1565
Cleveland Museum of Art
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Coronation of the Virgin, with the Martyrdom of Saint Lawrence
Federico Zuccaro
Pen and brown ink with brush and brown wash, heightened with lead-white gouache (partially oxidized), over touches of black chalk, on cream laid paper, pieced and laid down on ivory card · 1565
Art Institute of Chicago
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