Database / Artworks
Artworks
The Visitation of the Virgin to Saint Elizabeth; King Solomon in a Niche at Left.
Carlo Urbino
Pen and brown ink, over black chalk. Framing lines in black chalk and pen and brown ink · 1510
The Metropolitan Museum of Art
Four Canephori
Carlo Urbino
Pen and brown ink, over black chalk; squared in pen and brown ink · 1510
The Metropolitan Museum of Art
The Garden of Love
Jörg Breu the Younger
Pen and brown ink, brown, pink and blue wash, over black chalk. · 1510
The Metropolitan Museum of Art
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian)
Timoteo Viti
Soft black chalk, or charcoal, on paper now very darkened (to beige color) · 1510
The Metropolitan Museum of Art
A Battle on Horseback
Domenico Campagnola
pen and brown ink with brown wash over black chalk on laid paper · 1510
National Gallery of Art
Design for an Altar
Francesco Salviati
pen and brown ink with brown wash and white heightening over black chalk · 1510
National Gallery of Art
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti, Italian
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo Buonarroti, Italian
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) · 1510
The Metropolitan Museum of Art
Lucretia
Raphael
Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso) · 1508
The Metropolitan Museum of Art
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
The Madonna and Child with Saint John the Baptist
Raphael
black chalk with traces of white chalk, outlines pricked for transfer; laid down · 1507
National Gallery of Art
An Allegory: Male Nude in a Stable with Four Wild Horses
Prospero Fontana
Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink · 1507
The Metropolitan Museum of Art
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Vittore Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
The Holy Family
Jan Gossart
Pen and two shades of brown ink over remains of black chalk · 1505
The Metropolitan Museum of Art
Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso) · 1503
The Metropolitan Museum of Art
Saint George and the Dragon
Raphael
brush and brown ink heightened with white over black chalk, incised with stylus · 1501
National Gallery of Art
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Pietro Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Joanna of Aragon
Robert Raphael
Black chalk with red chalk on ivory laid paper · 1500
Art Institute of Chicago
Joanna of Aragon
Raphael Barratt
Black chalk with red chalk on ivory laid paper · 1500
Art Institute of Chicago
Joanna of Aragon
Raphael Federici
Black chalk with red chalk on ivory laid paper · 1500
Art Institute of Chicago