Database / Artworks
Artworks
A la pintura: Blue 12-13
Robert Motherwell
Brush and blue ink with solvent, graphite, and black lithographic crayon on white wove paper · 1969
Art Institute of Chicago
Horse Blinders Left, Right
James Rosenquist
Black lithographic crayon on newsprint · 1969
Art Institute of Chicago
A la pintura: Red 1-3
Robert Motherwell
Paint and black lithographic crayon, with type in black and red, taped to white wove paper · 1968
Art Institute of Chicago
Horse Blinders
James Rosenquist
Colored pastel and black lithographic crayon on white wove paper · 1968
Art Institute of Chicago
Horse Blinders
James Rosenquist
Colored pastel and black lithographic crayon on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 10-13
Robert Motherwell
Blue paint and black lithographic crayon on ivory laid paper · 1968
Art Institute of Chicago
A la pintura: White 7-9
Robert Motherwell
Black lithographic crayon and embossing on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 7-9
Robert Motherwell
Brush and blue paint, black lithographic crayon, and embossing on white wove paper · 1968
Art Institute of Chicago
A la pintura: White 3-6
Robert Motherwell
Graphite and black lithographic crayon, with type on cream translucent wove paper, taped to white wove paper · 1968
Art Institute of Chicago
A la pintura: White 1-2
Robert Motherwell
Blue colored pencil and black lithographic crayon on plate embossed white wove paper · 1968
Art Institute of Chicago
A la pintura: White 1-2
Robert Motherwell
Black lithographic crayon on white wove paper · 1968
Art Institute of Chicago
Roll Down
James Rosenquist
Black lithographic crayon on white wove paper · 1965
Art Institute of Chicago
Circles of Confusion I
James Rosenquist
Red and yellow watercolor, over graphite, with black lithographic crayon additions, on translucent wove paper · 1965
Art Institute of Chicago
Campaign
James Rosenquist
Watercolor in red and black lithographic crayon on white laid paper · 1965
Art Institute of Chicago
Spaghetti and Grass
James Rosenquist
Lithograph in red, with black lithographic crayon and hand applied colored printing ink additions, on white wove paper · 1964
Art Institute of Chicago
Untitled
Fred Sandback
Black lithographic crayon on cream wove paper · 1963
Art Institute of Chicago
Working Drawing for 18 Cantos: Title Page
Barnett Newman
Collage composed of black lithographic crayon and red Conté crayon on torn, tipped, and pieced newsprint and ivory tracing paper, hinged together · 1963
Art Institute of Chicago
Portrait of a Man
Lovis Corinth
Black lithographic crayon, on ivory wove paper · 1923
Art Institute of Chicago
Study (for the Portrait of Goeritz and His Wife)
Lovis Corinth
Black lithographic crayon, on cream wove paper · 1922
Art Institute of Chicago
Self-Portrait
Ludwig Meidner
Black lithographic crayon on brown wove paper · 1922
Art Institute of Chicago
a) Scène de grève (3e planche) (Scene of a Strike) (third plate) (recto); b) Untitled (verso)
Jean-Louis Forain
a) lithograph on laid paper
b) black lithographic crayon on laid paper · 1897
National Gallery of Art
A Private Dining Room (recto); Head of a Man Wearing a Top Hat (verso)
Jean-Louis Forain
Black lithographic crayon (recto and verso) on ivory wove paper · 1872
Art Institute of Chicago
Backstage Conversation (recto); Sketch of a Woman Before a Mirror (verso)
Jean-Louis Forain
Black lithographic crayon (recto), and black crayon (verso), on ivory wove paper · 1872
Art Institute of Chicago
A Private Dining Room
Jean-Louis Forain
Black lithographic crayon, on tan wove transfer paper · 1872
Art Institute of Chicago