Database / Artworks

Artworks

169 records · brocading
Angel with the Red
Angel with the Red
Martta Taipale
Cotton, rayon, wool, linen, nylon, metal foil, metal foil laminated in cellulose acetate film, and metal foil laminated in cellulose film, plain weave with discontinuous wefts and supplementary brocading wefts; embroidered in double running, running, and stem stitches · 1961
Art Institute of Chicago
Two Forces Meeting and Opposing (Hanging)
Two Forces Meeting and Opposing (Hanging)
Lenore Tawney
Linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts · 1959
Art Institute of Chicago
Fragment (From a Curtain)
Fragment (From a Curtain)
Marianne Richter
Linen and wool plain weave with supplementary brocading wefts · 1951
Art Institute of Chicago
Fragment (From a Curtain)
Fragment (From a Curtain)
Marianne Richter
Linen and wool plain weave with supplementary brocading wefts · 1951
Art Institute of Chicago
Hanging
Hanging
Claire Zeisler
Silk and wool; dyed (ikat); plain weave with discontinuous wefts and plain weave self-patterned by main warp floats and supplementary brocading wefts; some knotted into netting and enclosing glass spheres, some crocheted into tassels with synthetic metallic sequins, some plied into fringes; main warp fringe; wood and metal rings; embroidery hoop · 1950
Art Institute of Chicago
Sketch
Sketch
Trude Guermonprez
Cotton, linen, rayon, metallized polyester film, and cellulose film, plain weave with plain interlacings of secondary binding warps and supplementary brocading wefts and self-patterning of secondary binding warp floats · 1950
Art Institute of Chicago
Panel (Dr 100 V #2)
Panel (Dr 100 V #2)
Robert D. Sailors
Cotton, wool, and rayon, and metallic foil encased in polyester film, plain weave with supplementary brocading wefts bound in plain interlacing; with needle-worked element · 1947
Art Institute of Chicago
Sample (Dr 84 #1)
Sample (Dr 84 #1)
Robert D. Sailors
Cotton, rayon, and wool, plain weave with supplementary brocading wefts · 1944
Art Institute of Chicago
Panel (Hanging)
Panel (Hanging)
Lillian Holm
Linen and wool, plain weave with supplementary brocading wefts · 1940
Art Institute of Chicago
Panel (Hanging)
Panel (Hanging)
David Fredenthal
Linen, wool, cotton, and rayon, plain weave with supplementary brocading wefts; knotted and plaited main warp fringe · 1937
Art Institute of Chicago
Groblad (Frog's Leaf)(Sample)
Groblad (Frog's Leaf)(Sample)
Marta Maas-Fjetterstrom
Linen and wool, plain weave with supplementary brocading wefts · 1933
Art Institute of Chicago
Woman's Breast-Cover (ah khin)
Woman's Breast-Cover (ah khin)
Khami Chin
Cotton and silk, warp striped, warp-faced plain weave with supplementary patterning and brocading wefts; embellished with discontinuous supplementary wrapping elements; end embroidered with cotton and wool in buttonhole stitches; couching; cotton, piled and knotted corner tassels · 1930
Art Institute of Chicago
Panel
Panel
Yoruba
Cotton and rayon, warp-stripe, warp-faced plain weave with supplementary brocading wefts · 1930
Art Institute of Chicago
Panel for a Blouse (Huipil)
Panel for a Blouse (Huipil)
Maya
Cotton and silk, plain weave formed by paried warps and wefts; with supplementary patterning and brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton and silk; plain weave formed by single warps and groups of two or six wefts; with supplementary brocading wefts · 1930
Art Institute of Chicago
Man's Headcloth (Tzute)
Man's Headcloth (Tzute)
Maya
Cotton and wool; plain weave formed by pairing warps and wefts; with supplementary patterning and brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton; plain weave; paired warps in warp stripes; with supplementary brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton and silk; plain weave with supplementary brocading wefts · 1930
Art Institute of Chicago
Woman's Shawl or Headdress (Tzute)
Woman's Shawl or Headdress (Tzute)
Maya
Cotton, wool and silk; plain weave; warp stripes with supplementary brocading wefts · 1930
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton and silk, plain weave with brocading wefts · 1930
Art Institute of Chicago
Belt (Faja)
Belt (Faja)
Maya
wool; warp-faced plain weave; supplementary brocading warps · 1930
Art Institute of Chicago
Blouse (Huipil)
Blouse (Huipil)
Maya
Cotton; plain weave formed by paired warps and wefts; with supplementary brocading wefts in cotton and silk floss · 1930
Art Institute of Chicago
Panel
Panel
F. Schumacher & Co
Silk, wild silk and gold gilt strip wound around silk and wild silk fiber core, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago
Panel
Panel
F. Schumacher & Co
Silk, wild silk, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928
Art Institute of Chicago
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