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Artworks

6,802 records · brown ink
Degas (recto); Rodin (verso)
Degas (recto); Rodin (verso)
William Rothenstein
Pen and brown ink (recto and verso) on ivory laid paper (discolored to cream) · 1892
Art Institute of Chicago
Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico
Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico
Samuel Colman, American
Recto: Black crayon, pen and brown and black inks, brush and gray watercolor wash on paperboard. Verso: Graphite, pen and brown ink, brush and sepia wash on paperboard. · 1892
Cooper Hewitt, Smithsonian Design Museum
Study of Tree
Study of Tree
Samuel Colman, American
Graphite, pen and brown ink, brush and watercolor wash on cream paper · 1892
Cooper Hewitt, Smithsonian Design Museum
Cypress Trees of Chapultepec, Mexico
Cypress Trees of Chapultepec, Mexico
Samuel Colman, American
Black crayon, pen and brown ink, brush and watercolor on dark-gray colored paper. · 1892
Cooper Hewitt, Smithsonian Design Museum
The Bonnet
The Bonnet
Mary Cassatt
Etching in dark brown ink on ivory laid paper · 1891
Art Institute of Chicago
Head of a Tahitian Woman
Head of a Tahitian Woman
Paul Gauguin
Pen and brush and black ink, with green, blue, yellow and white gouache, over pen and brown ink and touches of graphite, on parchment · 1891
Art Institute of Chicago
Portrait of Stéphane Mallarmé
Portrait of Stéphane Mallarmé
Paul Gauguin
Etching, with drypoint and engraving, in black, with pen and black and brown ink, and brush and black and gray wash, on cream wove paper · 1891
Art Institute of Chicago
Sketch of Maori Woman and Child
Sketch of Maori Woman and Child
Paul Gauguin
Pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])
Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])
Paul Gauguin
Black fabricated chalk with pen and brown ink (originally purple) on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches
Paul Gauguin
Black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Man with an Ax
Man with an Ax
Paul Gauguin
Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream Japanese paper · 1891
Art Institute of Chicago
Tahitians Fishing
Tahitians Fishing
Paul Gauguin
Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper · 1891
Art Institute of Chicago
Ten Studies of Tahitian Figures
Ten Studies of Tahitian Figures
Paul Gauguin
Brush and brown inks (originally purple), with watercolor, on parchment · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Paul Gauguin
Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed · 1891
Art Institute of Chicago
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Paul Gauguin
Pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Two Tahitian Women and a Marquesan Earplug
Two Tahitian Women and a Marquesan Earplug
Paul Gauguin
Pen and brown ink and graphite on parchment · 1891
Art Institute of Chicago
Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)
Tahitian Eve (related to the painting Parau ne te varua ino) (recto); Fragment of Inscription (related to Cahier pour Aline) (verso)
Paul Gauguin
Pen and brownish-black ink (originally dark purple), over pen and brown ink (originally purple) (recto) and graphite (verso) on cream wove paper (discolored to tan) (removed from a sketchbook) · 1891
Art Institute of Chicago
Study for an Archway
Study for an Archway
Charles Sprague Pearce
pen and brown ink with brown wash and graphite on tan laid paper · 1890
National Gallery of Art
Study for an Archway
Study for an Archway
Charles Sprague Pearce
pen and brown ink with brown wash and graphite on tan laid paper · 1890
National Gallery of Art
Study for an Archway
Study for an Archway
Charles Sprague Pearce
pen and brown ink with brown wash and graphite on tan laid paper · 1890
National Gallery of Art
Orvieto
Orvieto
Elihu Vedder
graphite, crayon and pen and brown ink on gray-green wove paper · 1890
National Gallery of Art
Parau No Te Varau Ino (left); Tahitian Legend (right)
Parau No Te Varau Ino (left); Tahitian Legend (right)
Paul Gauguin
pen and brown ink, gray wash, and black chalk on J. Whatman paper · 1890
National Gallery of Art
The Map
The Map
Mary Cassatt, American
Drypoint in brown ink on ivory laid paper · 1890
Art Institute of Chicago
Mother of the Model
Mother of the Model
Jacques Villon
Pen and brown ink, with brush and brown wash on cream wove graph paper, squared in blue printing ink, laid down on off-white wove paper · 1890
Art Institute of Chicago
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