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Artworks

6,805 records · brown ink
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso)
Paolo Farinati
Pen and brown ink with brush and brown wash, heightened with lead white (recto), and black chalk heightened with white chalk on blue laid paper (verso), on blue laid paper · 1583
Art Institute of Chicago
The Judgment of Paris
The Judgment of Paris
Alessandro Allori
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper · 1583
The Metropolitan Museum of Art
The Dispersion of the Spanish on the Adda under Giovanni de’ Medici
The Dispersion of the Spanish on the Adda under Giovanni de’ Medici
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk, with corrections by the artist in white opaque paint on laid paper · 1583
Cooper Hewitt, Smithsonian Design Museum
Charles V defeating the Turks near Vienna, 1529 [above]; Battle Scene with King, Elephants, Cavalry and Infantry [below]
Charles V defeating the Turks near Vienna, 1529 [above]; Battle Scene with King, Elephants, Cavalry and Infantry [below]
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1583
Cooper Hewitt, Smithsonian Design Museum
Saint Matthew and the Angel
Saint Matthew and the Angel
Luca Cambiaso
Pen and brown ink, brown wash over traces of brown chalk (?); squared in red chalk · 1583
The Metropolitan Museum of Art
Assumption of the Virgin
Assumption of the Virgin
Guglielmo Caccia
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper, pieced and laid down on ivory laid paper · 1583
Art Institute of Chicago
Madonna of the Rosary, with Dominic and Other Saints
Madonna of the Rosary, with Dominic and Other Saints
Guglielmo Caccia
Pen and brown ink, with brush and brown wash and graphite, on ivory laid paper, laid down on ivory laid card · 1583
Art Institute of Chicago
View of Heidelberg
View of Heidelberg
Jan Brueghel the Elder
Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink · 1583
The Metropolitan Museum of Art
Juno Appearing to Sea Gods
Juno Appearing to Sea Gods
Cornelis Cornelisz.
Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk, on off-white paper prepared with pink watercolor; traces of framing lines in pen and brown ink · 1582
The Metropolitan Museum of Art
Christ Washing the Disciples’ Feet
Christ Washing the Disciples’ Feet
Giovanni Balducci
Pen and brown ink and brush and brown wash, over black chalk, on cream laid paper · 1582
Art Institute of Chicago
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Study for the Duel between Heraclius and Khosrau (recto); Sketches of Seated Figure (verso)
Niccolò Circignani, (Pomarancio)
Pen and brown ink, with brush and pale brown wash, with black chalk (recto) and black chalk (verso), on ivory laid paper · 1582
Art Institute of Chicago
The Conversion of Saint Paul
The Conversion of Saint Paul
Ludovico Carracci
Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash · 1582
The Metropolitan Museum of Art
The Reconciliation of Jacob and Esau
The Reconciliation of Jacob and Esau
Maarten de Vos
Pen and brown ink and brush and brown wash on cream laid paper, incised with a stylus for transfer · 1581
Art Institute of Chicago
A Noble Lady of Pisa
A Noble Lady of Pisa
Jean-Jacques Boissard
pen and brown ink with brown wash, with incising throughout, on laid paper · 1581
National Gallery of Art
Bishop Saint (Ambrose?) Exorcising the Devil
Bishop Saint (Ambrose?) Exorcising the Devil
Giovan Battista della Rovere
Pen and brown ink with brush and brown wash, heightened with lead white, over traces of black chalk, on blue laid paper, laid down on cream laid paper · 1581
Art Institute of Chicago
The Reconciliation of Jacob and Esau
The Reconciliation of Jacob and Esau
Maarten de Vos
Pen and brown ink and brush and brown wash on cream laid paper, incised with a stylus for transfer · 1581
Art Institute of Chicago
Last Supper
Last Supper
Robert Raphael
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Last Supper
Raphael Barratt
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Last Supper
Raphael Federici
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Last Supper
Raphael Albert
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Last Supper
Raphael Montañez Ortiz
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Adoration of the Shepherds
Adoration of the Shepherds
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1580
Art Institute of Chicago
Last Supper
Last Supper
Joseph Raphael
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain.
Aaron and Nadab Taking Leave of Elisheba (?), with the Israelites Camped before Mount Sinai and Moses Ascending the Mountain.
Adam van Noort
Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink. Indented for transfer · 1580
The Metropolitan Museum of Art
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