Database / Artworks
Artworks
Last Supper
Raphael Egil
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Hefti
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Adjetey Adjei Mayne
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael-Schwartz
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Georg Raphael Donner
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Coxie
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire
Passe, Crispijn de, the elder
Pen and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Seated Church Father (Saint Augustine?) with Putti
Perino del Vaga
Pen and brown ink, with brush and brown wash, heightened with lead white, on buff laid paper, laid down on cream laid card · 1580
Art Institute of Chicago
The Martyrdom of Saint Lawrence
Aurelio Luini
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on light tan paper; squared in red chalk · 1580
The Metropolitan Museum of Art
Escutcheon
Federico Zuccaro, Italian
graphic design, drawing — pen and brown ink, brush and brown wash, brush and white gouache, black chalk on laid paper. · 1580
Cooper Hewitt, Smithsonian Design Museum
A Reclining Peasant (recto); Study of a Young Man (verso)
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow
Jacques de Gheyn, II
Pen and brown ink · 1580
The Metropolitan Museum of Art
Head of a Bearded Man Wearing a Cap
Jacques de Gheyn, II
Pen and brown ink, brush and brown wash; framling lines in graphite · 1580
The Metropolitan Museum of Art
Study of a Tree
Jacques de Gheyn, II
Pen and brown ink over black chalk · 1580
The Metropolitan Museum of Art
The Marriage of the Virgin (Lunette)
Giorgio Picchi
Pen and brown ink, brush and brown wash over black chalk on light brown paper · 1580
The Metropolitan Museum of Art
Last Supper
Emmanuel-Joseph-Raphael Orazi
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphaele Shirley
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Adoration of the Shepherds
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Soyer
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Naomi Counseling Ruth Near the Farm of Boaz
Michel Corneille
Pen and brown ink, with traces of black chalk, on cream laid paper, laid down on ivory wove paper · 1580
Art Institute of Chicago
Christ and the Canaanite Women
Abraham Bloemaert, Dutch
Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert, Dutch
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert, Dutch
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art
Standing Soldiers and Kneeling Figures
Taddeo Zuccaro, Italian
Pen and brown ink, with brush and brown wash, and red chalk, on ivory laid paper, laid down on ivory card · 1580
Art Institute of Chicago