Database / Artworks
Artworks
Battle of the Lapiths and Centaurs
Enea Vico
Pen and brown ink, with brush and brown wash and gray gouache, on tan laid paper, laid down on ivory laid paper, laid down on blue wove paper · 1580
Art Institute of Chicago
Virgin and Child with Saint Anne
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink, brush and brown and black washes over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Christ's Entry into Jerusalem
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and brown wash over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Bird Hunt with Falcons
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown and black washes over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
The Holy Family with John the Baptist
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Agony in the Garden
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and black wash over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Rebecca and Eliezer at the Well
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash on laid paper Verso: pen and brown ink, brush and brown wash over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
![Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right]](/api/images/artworks/smithsonian/chndm_1901-39-562.jpg)
Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right]
Jan van der Straet, called Stradanus, Flemish
Pen and brown ink, brush and brown wash over black chalk on two spuriously joined sheets of laid paper. · 1580
Cooper Hewitt, Smithsonian Design Museum
Man Looking in a Mirror, Possibly Socrates Teaching Self-Knowledge
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Christ Saving Peter from Drowning
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown and black washes over black chalk on laid paper. Verso: pen and brown ink over black chalk on laid paper. · 1580
Cooper Hewitt, Smithsonian Design Museum
Adoration of the Magi
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink over black chalk on laid paper Verso: pen and brown ink, brush and brown wash on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
The Martyrdom of Saint Barbara
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown and black washes over black chalk on laid paper Verso: black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
The Last Judgment
Jan van der Straet, called Stradanus, Flemish
Recto: Pen and ink, brush and brown wash over black chalk on laid paper Verso: Pen and brown ink on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Lamentation over the Dead Christ
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brown ink over black chalk on laid paper · 1580
Cooper Hewitt, Smithsonian Design Museum
Last Supper
Raphael Drouart
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Montañez Ortiz
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Last Supper
Raphael Maklouf
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Adoration of the Shepherds
Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1580
Art Institute of Chicago
Augustus and the Tiburtine Sibyl
Parmigianino
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on ivory laid paper · 1580
Art Institute of Chicago
Last Supper
Antonietta Raphael
Pen and brown ink and brush and brown wash, with graphite additions, on cream laid paper, laid down on two layers of cream laid paper · 1580
Art Institute of Chicago
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert
Pen and brown ink, watercolor, traces of black chalk (recto); black chalk and watercolor (verso); framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art
Christ and the Canaanite Women
Abraham Bloemaert
Pen and brown ink, brush and brown wash, heightening with white, over black chalk; traces of framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
Study for the Allegory of Birth
Giorgio Vasari
Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wove card · 1580
Art Institute of Chicago