Database / Artworks
Artworks
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Bernardino India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Standing Putto Seen From the Back
Bartolomeo Passarotti
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr
Bartolomeo Passarotti
Pen and brown ink on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
Cupid Tied to a Tree
Giorgio Picchi
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid card · 1570
Art Institute of Chicago
God the Father with the Globe
Hans Krumpper
Pen and brown ink, gray wash · 1570
The Metropolitan Museum of Art
Studies for The Allegories of Love
Paolo Veronese
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
A Woman from Altmark
Melchior Lorck
Pen and brown ink; framing lines in brown ink · 1570
The Metropolitan Museum of Art
God the Father with Four Angels
Jacopo Bertoia
Pen and brown ink, brush and brown wash, over traces of black chalk · 1569
The Metropolitan Museum of Art
Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)
Giorgio Vasari
Pen and brown ink, with brush and brown wash, on cream laid paper, squared in graphite and red chalk (recto and verso) · 1569
Art Institute of Chicago
Sibyl in the Clouds
Luca Cambiaso
Pen and brown ink with brush and brown wash, on ivory laid paper, squared in red chalk, tipped onto ivory laid paper · 1568
Art Institute of Chicago
Saints Jerome and Francis of Assisi Adoring the Trinity
Bartolomeo Passarotti
Pen and brown ink with brush and brown wash, over graphite, on tan laid paper · 1568
Art Institute of Chicago
Saint Dominic Reading
Bartholomaeus Spranger
Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper · 1568
Art Institute of Chicago
The Seed Received among the Thorns, from the Parable of the Sower
Flemish
Black chalk, gray wash, and brown ink, on cream laid paper; traces of transfer · 1568
Cleveland Museum of Art
Farm with Trees in a Hilly Landscape (verso)
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Farm with Trees in a Hilly Landscape
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Farm with Trees in a Hilly Landscape (recto)
Gherardo Cibo
pen and brown ink (iron gall) · 1567
Cleveland Museum of Art
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Pietà
L. Cambiaso
Pen and brown ink with brush and brown wash, heightened with lead white, on blue wove paper, laid down on ivory wove paper · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Landscape with Abraham and Angels
Hans Bol
Pen and brown ink with brush and brown wash, on buff laid paper, laid down on card · 1567
Art Institute of Chicago
Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone
Caravaggio
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1567
Art Institute of Chicago
Pietà
Luca Cambiaso
Pen and brown ink with brush and brown wash, heightened with lead white, on blue wove paper, laid down on ivory wove paper · 1567
Art Institute of Chicago
Market Scene
Matthäus Gundelach
Pen and brown ink, brush and gray wash, over black and red chalk · 1566
The Metropolitan Museum of Art