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Artworks

6,802 records · brown ink
Wine Harvest
Wine Harvest
Tintoretto
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, tipped onto card · 1500
Art Institute of Chicago
Last Judgement
Last Judgement
Jacob Jordaens
Black chalk, with pen and brown ink, on tan laid paper, laid down on tan wove paper · 1500
Art Institute of Chicago
Christ Being Nailed to the Cross
Christ Being Nailed to the Cross
Friedrich Sustris
Pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper · 1500
Art Institute of Chicago
Project for a Façade Decoration (recto); Architectural Studies (verso)
Project for a Façade Decoration (recto); Architectural Studies (verso)
Lattanzio Gambara
Pen and brown ink, brush and brown wash, over black chalk · 1500
The Metropolitan Museum of Art
Madonna and Child with Adoring Saints
Madonna and Child with Adoring Saints
Guglielmo Caccia
Pen and brown ink with brush and brown wash, possibly with traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1500
Art Institute of Chicago
Study for Harpocrates (Silentio Deum Cole)
Study for Harpocrates (Silentio Deum Cole)
Giulio Bonasone
pen and brown ink with wash · 1498
National Gallery of Art
Study for Man Making an Explosion
Study for Man Making an Explosion
Giulio Bonasone
pen and brown ink with gray wash · 1498
National Gallery of Art
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Baccio Bandinelli, Italian
Pen and brown ink, over traces of black chalk (recto and verso), on ivory laid paper · 1498
Art Institute of Chicago
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Baccio Bandinelli
Pen and brown ink, over traces of black chalk (recto and verso), on ivory laid paper · 1498
Art Institute of Chicago
Female Nude Praying
Female Nude Praying
Albrecht Dürer
pen and brown ink on laid paper · 1497
National Gallery of Art
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
Pen and brown ink (recto and verso) · 1496
The Metropolitan Museum of Art
Landscape with a Goat
Landscape with a Goat
Titian
Pen and brown ink; framing lines in pen and brown ink · 1495
The Metropolitan Museum of Art
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles
Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles
Giulio Romano
Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache · 1495
The Metropolitan Museum of Art
Three Studies of a Woman Wearing an Elaborate Headdress
Three Studies of a Woman Wearing an Elaborate Headdress
Peter Paul
Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized) · 1495
Cleveland Museum of Art
The Virgin Annunciate
The Virgin Annunciate
Albrecht Dürer
pen and brown ink on laid paper · 1495
National Gallery of Art
Three Studies of a Woman Wearing an Elaborate Headdress
Three Studies of a Woman Wearing an Elaborate Headdress
Peter Paul Rubens, Flemish
Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized) · 1495
Cleveland Museum of Art
Male Head
Male Head
Michelangelo Buonarroti
Pen and black and brown ink, on cream laid paper, hinged onto cream wove paper · 1495
Art Institute of Chicago
The Mocking of Elisha
The Mocking of Elisha
Jean Poyet
Pen and black ink, with touches of brown ink, and brush and black, brown, pink, green, blue, and yellow wash, on ivory laid paper, discolored to buff, laid down on cream laid paper · 1495
Art Institute of Chicago
Gypsy Women and Young Men in Landscape
Gypsy Women and Young Men in Landscape
Guillaume Pierre Marcillat
Pen and brown ink with brush and brown wash, over red chalk, on cream laid paper, laid down on ivory laid paper · 1495
Art Institute of Chicago
Family Group: Ozias, King of Judah, Nursed by his Mother
Family Group: Ozias, King of Judah, Nursed by his Mother
Michelangelo Buonarroti
Pen and brown ink, with graphite, on tan laid paper · 1495
Art Institute of Chicago
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
Michelangelo
Pen and brown ink, and brush and gray and brown wash, on tan laid paper, laid down on cream laid card · 1495
Art Institute of Chicago
Three Studies of a Woman Wearing an Elaborate Headdress
Three Studies of a Woman Wearing an Elaborate Headdress
Peter Paul Rubens
Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized) · 1495
Cleveland Museum of Art
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
Michelangelo Buonarroti
Pen and brown ink, and brush and gray and brown wash, on tan laid paper, laid down on cream laid card · 1495
Art Institute of Chicago
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John
Polidoro da Caravaggio
Pen and brown ink, brush and brown wash, over traces of black chalk · 1494
The Metropolitan Museum of Art
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