Database / Artworks
Artworks
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John
Polidoro da Caravaggio
Pen and brown ink, brush and brown wash, over traces of black chalk · 1494
The Metropolitan Museum of Art
Studies for a Costume
Rosso Fiorentino
Pen and brown ink, brush and brown wash · 1494
The Metropolitan Museum of Art
Three Male Heads
Baccio Bandinelli, Italian
Pen and brown ink over traces of black chalk · 1493
The Metropolitan Museum of Art
A Rocky Outcrop
Baccio Bandinelli, Italian
Pen and brown ink · 1493
The Metropolitan Museum of Art
Seated Figure with Cloak and Turban
Baccio Bandinelli, Italian
Pen and brown ink · 1493
The Metropolitan Museum of Art
Seated Figure with Cloak and Turban
Baccio Bandinelli
Pen and brown ink · 1493
The Metropolitan Museum of Art
A Rocky Outcrop
Baccio Bandinelli
Pen and brown ink · 1493
The Metropolitan Museum of Art
Three Male Heads
Baccio Bandinelli
Pen and brown ink over traces of black chalk · 1493
The Metropolitan Museum of Art
Study for Figure of Fame
Biagio Pupini
pen and brown ink and brown wash with white heightening; (group of putti) black chalk with white heightening · 1491
National Gallery of Art
Winged Infant Riding a Crouching Horse
Giulio Romano
Pen and brown ink · 1490
The Metropolitan Museum of Art
Head of a Man in Profile
Luca Signorelli
Black chalk, pen and brown ink, heightened with white. · 1490
The Metropolitan Museum of Art
Study for the Triumphs of Julius Caesar: Canvas No. I
Andrea Mantegna
Pen and brown ink, with red pencil, on tan laid paper, laid down on ivory wove paper · 1490
Art Institute of Chicago
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
Pen and brown ink, over soft black chalk · 1490
The Metropolitan Museum of Art
Grotesque Head of an Old Woman
Leonardo da Vinci
pen and brown ink on laid paper; laid down · 1489
National Gallery of Art
Landscape (recto); Landscape (verso)
Perugino
Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso) · 1489
The Metropolitan Museum of Art
Virgin in Clouds, Supported by Angels
Antonio da Correggio
Pen and brown ink and brush and brown wash over traces of black chalk, on tan laid paper, laid down on cream wove card, laid down in album · 1489
Art Institute of Chicago
Landscape (recto); Landscape (verso)
Pietro Perugino
Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso) · 1489
The Metropolitan Museum of Art
The Holy Family (?)
Baccio Bandinelli, Italian
Pen and brown ink · 1488
The Metropolitan Museum of Art
The Holy Family (?)
Baccio Bandinelli
Pen and brown ink · 1488
The Metropolitan Museum of Art
![Architectural Details and a Soldier [verso]](https://api.nga.gov/iiif/0f924dee-4936-4f6e-bdb8-7b1b2e2e75e8/full/!800,800/0/default.jpg)
Architectural Details and a Soldier [verso]
Raphael
pen and brown ink on laid paper · 1483
National Gallery of Art
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash. · 1483
The Metropolitan Museum of Art
Raising of Lazarus
Lorenzo Lotto
Pen and brown ink, over black chalk · 1480
The Metropolitan Museum of Art
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) · 1480
The Metropolitan Museum of Art
The Holy Family with the Infant St. John the Baptist and an Angel
Cesare da Sesto
Pen and brown ink over red chalk · 1477
The Metropolitan Museum of Art