Artworks

Fritz Overbeck

Etching with brown Ink on cream wove paper · 1895

Henri Rousseau

pen and brown ink on brown wove paper · 1895

Fritz Overbeck

Etching with brown Ink on cream wove paper · 1895

Henri Cros

Graphite, pen and brown ink, watercolor, and charcoal on paper · 1895

Frederick Stuart Church, American

Pen and brown ink on paper · 1895

Winslow Homer, American

Graphite, with pen and black ink and brown ink on green buff paper. discolored to brown · 1895

William Henry Hyde, American

Etching in dark brown ink on cream-colored paper · 1895

George Du Maurier

Pen and brown ink on blue wove paper, with embossed printing · 1894

Paul Gauguin

Wood-block print in brown ink on cream wove Japanese paper, laid down on cream wove Japanese paper · 1894

Armand Séguin

Woodcut in brown ink with letterpress above on discolored ivory laid paper hinged to tan laid paper · 1894

Paul Gauguin

Wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper · 1894

Paul Gauguin

Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894

George Du Maurier

Pen and brown ink over graphite on ivory wove card · 1893

James McNeill Whistler

Etching in dark brown ink on light gray laid paper · 1893

James McNeill Whistler

Etching with foul biting in dark brown ink on buff laid paper · 1893

Paul Gauguin

Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper · 1893

Paul Gauguin

Brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper · 1893

Paul Gauguin

Wood-block print, printed twice in orange and brown inks, over residual black ink, with wiping and touches of hand-applied black ink, on thin, pale-pink wove paper (faded to tan) · 1893

Paul Gauguin

Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, yellow, red, two tones of green, two tones of blue, silver-gray and black watercolor, on cream wove Japanese paper laid down on cream laid Japanese paper (a laminate made by the artist) · 1893

Paul Gauguin

Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893

Paul Gauguin

Wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, yellow, pale-red, and dark-gray watercolor, on ivory Japanese paper · 1893

Paul Gauguin

Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan) · 1893

Paul Gauguin

Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper · 1893

Anders Zorn

Etching printed in red-brown ink on cream wove paper · 1892