Database / Artworks
Artworks
Study for Harvest
Jack Beal
Brush and brown ink and brown wash, heightened with white gouache, over graphite, on ivory wove paper, squared with graphite · 1978
Art Institute of Chicago
Portrait of Carolyn Alexander and Daughter
Jack Beal
Pen and brush and brown ink on ivory wove paper · 1973
Art Institute of Chicago
The Sadness in Our Art
Gilbert & George
Offset lithograph in black and brush and brown ink wash, with red ink stamp, on cream wove paper with burnt edges · 1970
Art Institute of Chicago
Untitled (Saxonian Landscape)
Georg Baselitz
Gouache, watercolor, graphite, and black and orange crayon, with pen and black ink and brush and brown ink, on ivory laid paper · 1964
Art Institute of Chicago
The Avenue of Success
George Grosz
Watercolor, with brush and brown ink, on grayish-white wove paper · 1930
Art Institute of Chicago
Dance to the Sound of Bells, Oboes and Violin
Paul Klee
Watercolor, with pen and brush and brown ink on ivory laid paper, laid down on tan wove paper. · 1929
Art Institute of Chicago
The Rabblerouser
George Grosz
Watercolor, with brush and brown ink on off-white wove paper · 1925
Art Institute of Chicago
Men of Justice
Jean-Louis Forain
brush and brown ink with brown wash on green laid paper · 1921
National Gallery of Art
À la conférence (At the Conference)
Jean-Louis Forain
brush and brown ink and black crayon on laid Van Gelder paper · 1919
National Gallery of Art
a) Au congres de la Paix (recto); b) Untitled (verso)
Jean-Louis Forain
a) brush and brown ink over graphite on wove paper
b) graphite on wove paper · 1919
National Gallery of Art
The Departure for Versailles
Jean-Louis Forain
brush and brown ink and graphite on laid paper · 1919
National Gallery of Art
Le depart pour Versailles
Jean-Louis Forain
brush and brown ink over graphite on laid Van Gelder paper · 1919
National Gallery of Art
French Soldier Addressing Germania
Jean-Louis Forain
brush and brown ink and black crayon on laid paper · 1914
National Gallery of Art
a) Poilu and Nurse (recto); b) Sketch for the Poilu (verso)
Jean-Louis Forain
a) brush and brown and black ink on wove paper
b) brush and brown ink on wove paper · 1914
National Gallery of Art
Male Nudes in a Church Interior
Willem Arondeus
Pen and brush and brown ink over graphite on tan wove paper · 1914
Art Institute of Chicago
Horse
Jane Poupelet
Brush and brown ink, over traces of graphite on cream wove paper, discolored to tan · 1898
Art Institute of Chicago
Seated Female Nude, Seen from Behind
Jane Poupelet
Brush and brown ink, over traces of graphite on cream wove paper, discolored to tan · 1898
Art Institute of Chicago
Squatting Nude
Jane Poupelet
Brush and brown ink wash on cream wove paper · 1898
Art Institute of Chicago
Tahitians Fishing
Paul Gauguin
Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper · 1891
Art Institute of Chicago
Ten Studies of Tahitian Figures
Paul Gauguin
Brush and brown inks (originally purple), with watercolor, on parchment · 1891
Art Institute of Chicago
Breton Bather
Paul Gauguin
Charcoal and pastel, with touches of brush and brown ink, on ivory laid paper (discolored to tan), partially outlined in graphite and squared in black fabricated chalk, with yellow paint residue on verso · 1886
Art Institute of Chicago
Weeping Woman
Vincent van Gogh
Black and white chalk, with brush and stumping, brush and black and gray wash, and traces of graphite, over a brush and brown ink underdrawing on ivory wove paper · 1883
Art Institute of Chicago
Reading
Eugène Carrière
brush and brown ink · 1880
Cleveland Museum of Art
Study for "The Blue Girl: Portrait of Miss Elinor Leyland"
James McNeill Whistler
Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper · 1879
Art Institute of Chicago