Database / Artworks
Artworks
Virgin Ascending with Concert of Angels
Felice Giani, Italian
figures, drawing — pen and ink, brush and brown ink, on paper · 1818
Cooper Hewitt, Smithsonian Design Museum
Various Studies
Jean Louis André Théodore Géricault
Graphite with brush and brown ink, on cream laid paper, perimeter mounted on cream wove paper · 1818
Art Institute of Chicago
Napoleonic Army Coach with Sketches of Heads
Jean Louis André Théodore Géricault
Pen and brush and brown ink, on tan wove paper · 1818
Art Institute of Chicago
Figures in a Landscape
Francis Danby
brush and brown ink with white heightening · 1808
Cleveland Museum of Art
Figures in a Landscape
Francis Danby
brush and brown ink with white heightening · 1808
Cleveland Museum of Art
Design for Swiss Heraldic Arms
Hans Holbein the Younger
Pen and black ink and brush and brown ink and brown wash on ivory wove card · 1800
Art Institute of Chicago
A Group of Four Children, with Dogs
Paul Sandby Munn
Brush and brown ink and brown washes over pencil. · 1798
The Metropolitan Museum of Art
A Group of Four Children, with Dogs
Thomas Paul Sandby
Brush and brown ink and brown washes over pencil. · 1798
The Metropolitan Museum of Art
Death of Seneca
Mathieu Ignace van Brée
Brush and brown ink, with brush and brown wash, heightened with lead white (partly discolored), with traces of graphite and possibly charcoal, squared in red chalk on cream laid paper, laid down on tan wove paper · 1793
Art Institute of Chicago
Half-Figure of a Young Woman
George Romney, English
Pen and brush and brown ink · 1782
The Metropolitan Museum of Art
Half-Figure of a Young Woman
George Romney
Pen and brush and brown ink · 1782
The Metropolitan Museum of Art
Astolfo Sails off with Andronica and Sofrosina
Jean-Honoré Fragonard
Black chalk, with pen and brush and brown ink and brush and brown wash, on off-white laid paper · 1780
Art Institute of Chicago
The Gower Family
George Romney
Recto: Brush and brown ink, over black chalk, on ivory laid paper, edge mounted to cream card; verso: Graphite on ivory laid paper edge mounted to cream card · 1777
Art Institute of Chicago
The Gower Family
George Romney, English
Recto: Brush and brown ink, over black chalk, on ivory laid paper, edge mounted to cream card; verso: Graphite on ivory laid paper edge mounted to cream card · 1777
Art Institute of Chicago
The Gower Family
George Romney
Recto: Brush and brown ink, over black chalk, on ivory laid paper, edge mounted to cream card; verso: Graphite on ivory laid paper edge mounted to cream card · 1777
Art Institute of Chicago
Figure of a Woman
George Romney
Brush and brown ink on cream laid paper · 1776
Art Institute of Chicago
Figure of a Woman
George Romney, English
Brush and brown ink on cream laid paper · 1776
Art Institute of Chicago
Vicar of Wakefield
Thomas Rowlandson
Brush and brown ink and watercolor, over graphite, on ivory laid paper · 1776
Art Institute of Chicago
A Standing Young Washerwoman
Jacob van Strij
Brush and brown ink, over black chalk or graphite · 1776
The Metropolitan Museum of Art
Vision of Sainted Benedictine Monk
Francesco Saverio Mergolo, Italian
Brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper · 1776
Cooper Hewitt, Smithsonian Design Museum
Figure of a Woman
George Romney
Brush and brown ink on cream laid paper · 1776
Art Institute of Chicago
Satyr, Nymph and Putto by Pool
Corneille (Guillaume van Beverloo)
Pen and brown ink with brush and brown ink, over graphite, on tan laid paper, tipped onto card · 1775
Art Institute of Chicago
Child Leading Three Horses and Wagon
Thomas Stothard
Brush and brown ink, heightened with blue and white gouache, on green wove paper · 1775
Art Institute of Chicago
Base of Pilaster with Relief, with 2 Putti, Shield
Thomas Stothard
Brush and brown ink and wash, over graphite, on ivory wove paper, tipped onto cream wove paper · 1775
Art Institute of Chicago