Database / Artworks
Artworks

Shelter Scene
Henry Moore
Colored crayons, with pen and black ink and brush and gray wash, over graphite, on ivory wove paper · 1941
Art Institute of Chicago

Seated Woman (recto); Study (verso)
Pablo Picasso
Pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper · 1941
Art Institute of Chicago

Screaming Head
Julio González
Pen and black ink, with brush and gray wash, over graphite on off-white laid paper · 1940
Art Institute of Chicago

Porte de la Victoire
Eugene Berman
Pen and black ink and brush and gray wash on yellow laid paper, tipped onto ivory wove paper · 1937
Art Institute of Chicago

Reclining Figures
Henry Moore
Pen and black ink with brush and gray wash and traces of graphite on ivory wove paper · 1933
Art Institute of Chicago

The Minotaur
Pablo Picasso
Pen and brush and black ink and brush and gray wash on blue wove paper · 1933
Art Institute of Chicago

Marie–Thérèse Seated on the Ground
Pablo Picasso
Drypoint and aquatint in black and gray ink, with touches of brush and gray wash, over collaged cut-and-torn tracing paper toned with yellow and blue wash, on cream laid paper · 1933
Art Institute of Chicago

Double Flute Player and Reclining Nude
Pablo Picasso
Pen and black ink, with brush and gray wash and scraping, on cream wove paper · 1932
Art Institute of Chicago

The Fledgling
Morris Graves
Graphite, with touches of brush and gray wash, on cream wove paper, prepared with yellow wash · 1930
Art Institute of Chicago

Homeric Struggle
Ben Shahn
Brush and black ink, with brush and gray wash, on ivory wove paper, laid down on cream card · 1918
Art Institute of Chicago

Ceiling of Courtroom, Federal Building, Cleveland, OH
Arnold William Brunner, American
architecture, interiors, drawing — graphite, pen and black ink, brush and gray wash on paper · 1917
Cooper Hewitt, Smithsonian Design Museum

Two Women Wearing Slips
Jules Pascin
Charcoal, with stumping, touches of brush and gray wash, and traces of graphite on ivory wove paper · 1915
Art Institute of Chicago

A Friend of Mine (recto); Head of a Man (verso)
George Grosz
Pen and black ink (recto), and pen and black ink and brush and gray wash (verso), on cream wove paper · 1915
Art Institute of Chicago

La table servie
Jacques Villon
Graphite and brush and gray wash on cream wove paper · 1912
Art Institute of Chicago

Music Hall Dancer (recto); Head of a Woman (verso)
Le Corbusier (Charles-Édouard Jeanneret)
Gouache, with touches of brush and gray wash, over graphite (recto), and graphtie (verso), on cream wove paper · 1907
Art Institute of Chicago

A Doorway in Ajaccio
James McNeill Whistler
brush and gray wash on wove paper · 1901
National Gallery of Art

Ponte della Grazia, Florence
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Canal, Venice
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Ponte alla Carraia, Florence
Herman Armour Webster
Pen and brown ink and brush and gray wash, over graphite, on white wove paper · 1898
Art Institute of Chicago

Venice
Herman Armour Webster
Pen and brown ink and brush and gray wash, with graphite, on cream wove paper · 1898
Art Institute of Chicago

Ponte Santa Trinita, No.4
Herman Armour Webster
Pen and brown ink and brush and gray wash, with scraping and graphite, on white wove paper · 1898
Art Institute of Chicago

Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth)
Paul Gauguin
Brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper · 1893
Art Institute of Chicago

The Old Bedford (recto); The Gallery of the Old Bedford (verso)
Walter Richard Sickert
Pen and black ink with brush and gray wash (recto and verso) on board · 1889
Art Institute of Chicago

The Old Bedford (recto); The Gallery of the Old Bedford (verso)
Walter Richard Sickert
Pen and black ink with brush and gray wash (recto and verso) on board · 1889
Art Institute of Chicago