Database / Artworks
Artworks
Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery
Edwin Howland Blashfield
Charcoal with stumping and erasing, heightened with white chalk (recto), and charcoal with touches of white chalk (verso), on folded cream wove paper with blue fibers, tipped on gray wood-pulp laminate board · 1892
Art Institute of Chicago
The Legend of the Wolves
Rosa Bonheur
charcoal with stumping and erasing, black chalk, and pastel on blue wove paper, edge mounted to paperboard · 1890
National Gallery of Art
Pusterla dei Fabbri, Milan
Mosè Bianchi
charcoal with stumping, wash, graphite, and pen and black ink, heightened with white gouache · 1888
National Gallery of Art
Beatrice
Odilon Redon
Charcoal with stumping and erasing on cream wove paper, discolored to tan · 1887
Art Institute of Chicago
Le Nebuleuse
Odilon Redon
Two types of charcoal with stumping, scraping, erasing and burnishing, on ivory wove paper (discolored to cream) · 1875
Art Institute of Chicago
Evening
Albert Lebourg
conté crayon and charcoal with stumping and white gouache on laid paper discolored to brown · 1874
Alpine Castle above a Wooded Lake
Maxime Lalanne
charcoal with stumping,scraping, erasing and wetting, and white chalk on beige laid paper, laid down · 1870
National Gallery of Art
Three Fishermen Along the Banks of a River at the Edge of a Forest
Adolphe Appian, French
charcoal with stumping and scratching out and touches of white chalk on beige paper · 1868
Cleveland Museum of Art
Landscape (The Large Tree)
Corot
charcoal with stumping, erasing, and wet brushwork on light brown wove paper · 1860
Cleveland Museum of Art
River with Castle Ruin and Boat I
Elizabeth Murray
Charcoal with stumping and scraping on ivory wove paper · 1850
Art Institute of Chicago
Stone Bridge in Mountains
Elizabeth Murray
Charcoal with stumping on ivory wove paper · 1850
Art Institute of Chicago
Mountain Stream with Small Bridge II
Elizabeth Murray
Charcoal with stumping and scraping on ivory wove paper · 1850
Art Institute of Chicago
Mountain Stream with Small Bridge I
Elizabeth Murray
Charcoal with stumping and scraping on ivory wove paper · 1850
Art Institute of Chicago
Girl with Geese (recto); Sketches of Cows and Horses (verso)
Imitator of Jean François Millet
Charcoal with stumping (recto) and charcoal (verso) on cream wove paper · 1850
Art Institute of Chicago
Mountain Stream with Boat
Elizabeth Murray
Charcoal with stumping, with brush and black ink on ivory wove paper · 1845
Art Institute of Chicago
Bathers by a Giant Oak
Constant Troyon
charcoal with stumping and erasing, black chalk, and oil paint, with touches of white chalk, on tan wove paper · 1842
National Gallery of Art
Standing Academic Male Nude (recto); Sketch of Upper Arm (verso)
Eugene Delacroix
Black chalk and charcoal with stumping, heightened with white chalk (recto), and black chalk and charcoal with stumping (verso), on dark tan laid paper · 1816
Art Institute of Chicago
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress
Henry Fuseli
Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper · 1783
Art Institute of Chicago
Study after Statue of Venus de' Medici
John Downman
Graphite and charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Study after the Statue of Crouching Venus
John Downman
Charcoal with stumping and touches of black crayon on ivory laid paper · 1774
Art Institute of Chicago
Study after Raphael's Diogenes in the School of Athens
John Downman
Charcoal with stumping on ivory laid paper · 1774
Art Institute of Chicago
Fright
John Downman
Charcoal with stumping and traces of brush and black wash on cream laid paper · 1770
Art Institute of Chicago
Lattice Work and Reflecting Pool at Arcueil
Jean-Baptiste Oudry, French
Charcoal with stumping, and with traces of erasing, on ivory laid paper, laid down on ivory laid paper, perimeter mounted to a cream wove card · 1744
Art Institute of Chicago
The Genius of Painting
Gabriel Jacques de Saint-Aubin
Charcoal with stumping, erasing, and incising on ivory laid paper · 1744
Art Institute of Chicago