Database / Artworks
Artworks

Metamorphosis 1
Torkwase Dyson
Aquatint with chine collé · 2023
Museum of Modern Art

Metamorphosis 2
Torkwase Dyson
Aquatint with chine collé · 2023
Museum of Modern Art

Metamorphosis 3
Torkwase Dyson
Aquatint with chine collé · 2023
Museum of Modern Art

Metamorphosis 4
Torkwase Dyson
Aquatint with chine collé · 2023
Museum of Modern Art

Untitled (grass)
Toba Khedoori
Etching with chine collé · 2022
Museum of Modern Art

Arms from the portfolio The Met 150
Julie Mehretu
Drypoint with chine collé · 2020
Museum of Modern Art

Tondo: Azul y Rojo
Carmen Herrera
Aquatint printed in relief with chine collé · 2019
Museum of Modern Art

Untitled
Andrea Büttner
Etching with chine collé · 2019
Museum of Modern Art

Untitled
Jasper Johns
Aquatint with chine collé · 2018
Museum of Modern Art

Bonfire
Lisa Yuskavage
Etching and aquatint with chine collé · 2018
Museum of Modern Art

Art Students
Lisa Yuskavage
Etching and aquatint with chine collé · 2018
Museum of Modern Art

Merlot
Lisa Yuskavage
Intaglio and digital print with chine collé · 2017
Museum of Modern Art

Telephone from Alan Cristea Gallery Twentieth Anniversary Portfolio
Marie Harnett
Linoleum cut from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

For Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Gillian Ayres
Aquatint and carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Blue Note from Alan Cristea Gallery Twentieth Anniversary Portfolio
Allen Jones
Lithograph from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

For my Dad from Alan Cristea Gallery Twentieth Anniversary Portfolio
Richard Woods
Woodcut with cut-outs from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Untitled (GCHQ) from Alan Cristea Gallery Twentieth Anniversary Portfolio
Langlands & Bell
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

The Rider from Alan Cristea Gallery Twentieth Anniversary Portfolio
Gordon Cheung
Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Herb Garden from Alan Cristea Gallery Twentieth Anniversary Portfolio
Howard Hodgkin
Carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio
Ben Johnson
Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Julian Opie
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Ashtray from Alan Cristea Gallery Twentieth Anniversary Portfolio
Michael Craig-Martin
Screenprint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Print for Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Mimmo Paladino
Aquatint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

once more, with feeling from Alan Cristea Gallery Twentieth Anniversary Portfolio
Edmund de Waal
Etching with embossing from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art