Database / Artworks
Artworks
Cap (Orikògbòfóor Ojewe)
Yoruba
Glass beads, cloth, iron, and thread · 1925
Art Institute of Chicago
Coronet (Orikògbòfóor Onigegemerin)
Yoruba
Glass beads, cloth, iron, and thread · 1925
Art Institute of Chicago
Bag (Apo Ileke)
Yoruba
Cloth, glass beads, and thread · 1925
Art Institute of Chicago
The Intellectual
Arthur Dove
Wood box with magnifying glass, bone, moss, bark, and a scale on varnished cloth mounted on wood · 1925
Museum of Modern Art
Grandmother
Arthur Dove
Shingles, needlepoint, page from John Downame’s A Brief Concordance or Table to the Bible of the Last Translation, pressed flowers and ferns mounted on cloth-covered wood · 1925
Museum of Modern Art
Bucheinband (cover) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)
Ernst Ludwig Kirchner
woodcut, printed in black and green, on yellow cloth from a bound volume with 50 woodcuts (including cover and front and back endpapers) · 1924
National Gallery of Art
Mz 704. Bühlau
Kurt Schwitters
Cut-and-pasted colored and printed papers and cloth on cardstock · 1923
Museum of Modern Art
Mécano (Mechanic)
Raoul Hausmann
Complete set of four folded yellow, blue, white, and red double sheet journal issues, inlcuding subscription card, postcard, and a wrap-around band, all housed within a gilt-lettered and black leather embellished yellow cloth box · 1922
Art Institute of Chicago
Ulysses
Mary Reynolds
Full blue morocco binding; raised bands; author and title stamped in gold on spine; doublures; top edge gilt; maps used as endpapers; original paper covers bound in; Slipcase covered with maps; leather borders; lined with cloth · 1922
Art Institute of Chicago
Mz 442
Kurt Schwitters
Cut-and-pasted colored and printed papers, and cloth on paper with cardstock border · 1922
Museum of Modern Art
Merz Picture 32 A. The Cherry Picture (Merzbild 32 A. Das Kirschbild)
Kurt Schwitters
Cut-and-pasted colored and printed paper, cloth, wood, metal, cork, oil, pencil, and ink on board · 1921
Museum of Modern Art
Costume design for the artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, cloth, and gold braid on canvas · 1912
Museum of Modern Art
Costume design for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, putty, cloth, and cellophane on wood · 1912
Museum of Modern Art
Costume design (Georgette) for artist's ballet Orphée of the Quat-z-arts
Florine Stettheimer
Oil, cloth, fur, yarn, and hair on canvas · 1912
Museum of Modern Art
Stichblatt (Coquille) (Upholstery Fabric)
Ugo Zovetti
Cotton, plain weave, double cloth; woven on loom with Jacquard attachment · 1910
Art Institute of Chicago
Tablecloth
Otto Prutscher
Cotton, plain weave double cloth · 1908
Art Institute of Chicago
Giraffe
Niko Pirosmani
oilcloth · 1905
Furnishing Fabric Titled Cockerels
Josef Hoffmann
Cotton, complementary warp and weft "tied and free" plain weave double cloth with supplementary stitching wefts · 1904
Art Institute of Chicago
Prestige Hat
Bamileke
Cloth, fiber, wool, and pigment · 1901
Art Institute of Chicago
Royal Cap (Orikogbofo)
Yoruba
Glass, cloth, and string · 1901
Art Institute of Chicago
Royal Trousers
Yoruba
Glass beads, cloth, and string · 1900
Art Institute of Chicago
Pair of Yata Dance Panels (Yata)
Yoruba
Glass beads, cotton, and cloth · 1900
Art Institute of Chicago
Tunic
Yoruba
Glass beads, cloth, and string · 1900
Art Institute of Chicago
Sketchbook
Édouard Jean Vuillard
Graphite on ivory wove papers, perforated near spine, bound with blue manilla paper covers and cloth tape spine · 1900
Art Institute of Chicago