WATTS INDEX/database

Database / Artworks

Artworks

2,490 records · coal
Entombment of Christ
Entombment of Christ
Polidoro da Caravaggio
Charcoal, with traces of white gouache, on brown laid paper, laid down on brown laid paper and cream wove paper · 1527
Art Institute of Chicago
Portrait of Sophie Juliane von der Schulenburg
Portrait of Sophie Juliane von der Schulenburg
Giovanni Battista Piazzetta
Black chalk with stumping, heightened with touches of white chalk, over traces of charcoal, on blue-gray laid paper, discolored to cream, laid down on cream wood pulp board · 1521
Art Institute of Chicago
Christus als Salvator Mundi
Christus als Salvator Mundi
Fra Bartolommeo
charcoal stick, chalk, prepared paper · 1516
Rijksmuseum
The Transfiguration, after Raphael
The Transfiguration, after Raphael
Biagio Pupini
Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper · 1511
The Metropolitan Museum of Art
The Judgment of Solomon, after Raphael
The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art
The Transfiguration, after Raphael
The Transfiguration, after Raphael
Biagio Pupini
Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper · 1511
The Metropolitan Museum of Art
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art
The Judgment of Solomon, after Raphael
The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian)
Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian)
Timoteo Viti
Soft black chalk, or charcoal, on paper now very darkened (to beige color) · 1510
The Metropolitan Museum of Art
The Prophets Hosea and Jonah
The Prophets Hosea and Jonah
Raphael
pen and brown ink with brown wash over charcoal and blind stylus, heightened with white gouache and squared for transfer with blind stylus and red chalk, on laid paper · 1510
National Gallery of Art
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo Buonarroti, Italian
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto)
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo Buonarroti, Italian
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto)
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
The Head of the Virgin in Three-Quarter View Facing Right
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) · 1510
The Metropolitan Museum of Art
Portrait of a Woman [recto]
Portrait of a Woman [recto]
Hans Holbein the Elder
silverpoint with brush and black and brown ink over charcoal and leadpoint, heightened with white on white prepared paper · 1508
National Gallery of Art
Study of a Bearded Man [verso]
Study of a Bearded Man [verso]
Hans Holbein the Elder
silverpoint and charcoal heightened with white on white prepared paper · 1508
National Gallery of Art
Portret van een jongeman met hoed, ca. 1506
Portret van een jongeman met hoed, ca. 1506
Albrecht Dürer
charcoal stick, paper · 1506
Rijksmuseum
The Virgin and Four Other Women
The Virgin and Four Other Women
Vittore Carpaccio
pen and brown ink with gray wash over charcoal on laid paper · 1505
National Gallery of Art
Madonna and Child
Madonna and Child
Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago
Madonna and Child
Madonna and Child
Benvenuto Tisi da Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago
Go to pageof 104