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Artworks

47 records · conte crayon
Night Smoke
Night Smoke
James Rosenquist
Blue and red fiber-tip pen, and red conte crayon, on translucent wove paper · 1969
Art Institute of Chicago
A la pintura: Red 4-7
A la pintura: Red 4-7
Robert Motherwell
Red acrylic paint and black conte crayon, with traces of blue colored pencil, and collage of letterpress in black and red on white wove paper, cut out and tipped onto white wove paper · 1968
Art Institute of Chicago
Horse Blinders
Horse Blinders
James Rosenquist
Lithograph in black, with conte crayon and pastel additions, on white wove paper · 1968
Art Institute of Chicago
Horse Blinders
Horse Blinders
James Rosenquist
Lithograph in black, with conte crayon and graphite additions, on white wove paper · 1968
Art Institute of Chicago
Voice
Voice
Jasper Johns
Lithograph in black heightened with red conte crayon on ivory wove paper · 1966
Art Institute of Chicago
Circles of Confusion I
Circles of Confusion I
James Rosenquist
Lithograph in black, with conte crayon additions, on white wove paper · 1966
Art Institute of Chicago
Circles of Confusion I
Circles of Confusion I
James Rosenquist
Graphite and conte crayon on translucent wove paper · 1966
Art Institute of Chicago
Color Drawing for Tondo
Color Drawing for Tondo
Fritz Glarner
Yellow, blue, and red conte crayon (recto/verso) on translucent wove paper · 1964
Art Institute of Chicago
Group of Draped Standing Figures
Group of Draped Standing Figures
Henry Moore
Pen and black ink and black crayon, with brush and gray wash, graphite and touches of red conte crayon, heightened with white gouache, on cream wove paper · 1942
Art Institute of Chicago
IIT Master Plan, Chicago, IL (Campus, aerial perspective, preliminary version)
IIT Master Plan, Chicago, IL (Campus, aerial perspective, preliminary version)
Ludwig Mies van der Rohe
Pencil, conte crayon on illustration board · 1939
Museum of Modern Art
Study for the Disciple Peter
Study for the Disciple Peter
Henry Ossawa Tanner
conte crayon and charcoal on paper mounted on paperboard · 1933
Smithsonian American Art Museum
Study for Mary, Return from the Crucifixion
Study for Mary, Return from the Crucifixion
Henry Ossawa Tanner
pencil and conte crayon on paper mounted on paperboard · 1933
Smithsonian American Art Museum
Oil Tanker II
Oil Tanker II
Arthur Dove
watercolor and conte crayon on paper · 1932
Smithsonian American Art Museum
Hand of Henry O. Tanner
Hand of Henry O. Tanner
Henry Ossawa Tanner
conte crayon on paper · 1930
Smithsonian American Art Museum
Untitled
Untitled
Frank Edwin Scott
conte crayon · 1929
Smithsonian American Art Museum
Self-Portrait
Self-Portrait
John Steuart Curry
charcoal, conte crayon and pencil on paper · 1928
Smithsonian American Art Museum
Self-Portrait
Self-Portrait
Henry Ossawa Tanner
pencil and conte crayon on paper · 1910
Smithsonian American Art Museum
Arm study for Equestrian Monument
Arm study for Equestrian Monument
Solon H. Borglum
pencil, ink wash and conte crayon · 1905
Smithsonian American Art Museum
Study for Equestrian Monument
Study for Equestrian Monument
Solon H. Borglum
conte crayon and white chalk · 1905
Smithsonian American Art Museum
Study for Equestrian Monument (Gen. John B. Gordon)
Study for Equestrian Monument (Gen. John B. Gordon)
Solon H. Borglum
pen and ink, ink wash, pencil and conte crayon · 1905
Smithsonian American Art Museum
Study for an Equestrian Monument
Study for an Equestrian Monument
Solon H. Borglum
pen and ink, ink wash and conte crayon · 1905
Smithsonian American Art Museum
Study for Equestrian Monument (Gen. John B. Gordon)
Study for Equestrian Monument (Gen. John B. Gordon)
Solon H. Borglum
pen and ink, ink wash and conte crayon · 1905
Smithsonian American Art Museum
Boot, study for Equestrian Monument
Boot, study for Equestrian Monument
Solon H. Borglum
ink wash, conte crayon and white chalk · 1905
Smithsonian American Art Museum
Study for an Equestrian Monument
Study for an Equestrian Monument
Solon H. Borglum
pencil, ink wash and conte crayon · 1905
Smithsonian American Art Museum
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