Artworks

Flemish

Boxwood · 1690

Johann Carl Loth

Pen and brown ink, heightened with white gouache, on gray laid paper with blue fibers, laid down on ivory laid card · 1690

Domenico Piola

Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on gray board · 1690

Pierre Parrocel

Etching on ivory laid paper · 1690

Pietro Antonio di Pietri

Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper · 1690

R.H. Quaytman

Silver · 1690

Claude Gillot

Pen and brown ink, with traces of brush and brown wash, on buff laid paper, laid down on cream laid card, with blue laid paper border · 1690

Claude Gillot

Pen and black and red ink, and brush and red wash, on tan laid paper, laid down on tan card · 1690

Jan Goeree

Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690

Parnell Mackett

Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Jean Baptiste Monnoyer

Wool and silk, slit and double interlocking tapestry weave · 1688

Mercy Mackett

Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688

Carlo Antonio Tavella

Pen and iron gall ink on cream laid paper · 1688

JEAN

Wool and silk, slit and double interlocking tapestry weave · 1688

Hasegawa Tojyu

Hanging scroll; ink on paper · 1688

Alessandro Magnasco

Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687