Database / Artworks
Artworks
Phrygian
Martin Puryear
Soft ground etching, spit-bite, drypoint and aquatint in black and gray on cream wove paper, laid down on white wove paper (chine collé) · 2012
Art Institute of Chicago
Self Portrait (State II)
Sylvia Plimack Mangold
Drypoint and aquatint in black on white wove paper · 1993
Art Institute of Chicago
Park Bench
Isabel Bishop
Etching with drypoint and aquatint in black on cream wove paper · 1946
Art Institute of Chicago
Marie–Thérèse Seated on the Ground
Pablo Picasso
Drypoint and aquatint in black and gray ink, with touches of brush and gray wash, over collaged cut-and-torn tracing paper toned with yellow and blue wash, on cream laid paper · 1933
Art Institute of Chicago
Kauernder weiblicher akt (Crouching Female Nude)
Lovis Corinth
drypoint and aquatint in black · 1914
National Gallery of Art
Figure of Dawn (Dawn: Upper Portion)
Theodore Roussel
Drypoint and aquatint in black and blue on cream Japanese paper · 1912
Art Institute of Chicago
Portrait of Myself
Theodore Roussel
Drypoint and aquatint in black on ivory laid paper · 1901
Art Institute of Chicago
The Mountain, plate 2 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The High Valley, plate 3 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
Dragonfly, plate 1 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The Arch of the Bridge, plate 6 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The River in the Plain, plate 4 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
Swallows, plate 8 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The Parapet of the Bridge, plate 5 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago