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Artworks

67 records · drypoint in brown
Sketches (F)
Sketches (F)
Cy Twombly
Etching and drypoint in brown on cream wove paper · 1967
Art Institute of Chicago
Sketches (B)
Sketches (B)
Cy Twombly
Etching and drypoint in brown on cream wove paper · 1967
Art Institute of Chicago
Sketches (B)
Sketches (B)
Cy Twombly
Etching and drypoint in brown on cream wove paper · 1967
Art Institute of Chicago
Sketches (A)
Sketches (A)
Cy Twombly
Etching and drypoint in brown on buff laid paper · 1967
Art Institute of Chicago
Figures and Tents
Figures and Tents
Theodore Roussel
Drypoint in brown-black on cream Japanese vellum · 1924
Art Institute of Chicago
Promenade
Promenade
Marc Chagall
Etching and drypoint in brown-black on white laid paper · 1922
Art Institute of Chicago
Road to Paradise Valley, Arizona
Road to Paradise Valley, Arizona
George Elbert Burr
etching with drypoint in brown on laid paper · 1921
National Gallery of Art
Le femme adultère (3e planche) (The Adulteress) (third plate)
Le femme adultère (3e planche) (The Adulteress) (third plate)
Jean-Louis Forain
drypoint in brown on wove paper · 1910
National Gallery of Art
Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate)
Le Christ portant sa croix (4e planche) (Christ Carrying the Cross) (fourth plate)
Jean-Louis Forain
etching and drypoint in brown on laid Van Gelder paper · 1910
National Gallery of Art
Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate)
Le repas à Emmaus (2e planche) (The Supper at Emmaus) (second plate)
Jean-Louis Forain
etching and drypoint in brown on laid Van Gelder paper · 1910
National Gallery of Art
Nude Woman Seen from the Back
Nude Woman Seen from the Back
Jean-Louis Forain
Drypoint in brown on light blue laid paper · 1910
Art Institute of Chicago
Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate)
Dans le parc de Versailles (1ère planche) (In the Park at Versailles) (first plate)
Jean-Louis Forain
drypoint in brown on laid Van Gelder paper · 1909
National Gallery of Art
Le repos du modèle (4e planche) (The Model's Rest) (fourth plate)
Le repos du modèle (4e planche) (The Model's Rest) (fourth plate)
Jean-Louis Forain
etching and drypoint in brown on laid Van Gelder paper · 1909
National Gallery of Art
Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes)
Le Christ dépouillé de ses vêtements (Christ Stripped of His Clothes)
Jean-Louis Forain
drypoint in brown on wove Van Gelder paper · 1909
National Gallery of Art
Avocat compulsant un dossier (Lawyer Going through a Brief)
Avocat compulsant un dossier (Lawyer Going through a Brief)
Jean-Louis Forain
etching and drypoint in brown on wove paper · 1909
National Gallery of Art
Zwei Menschen (Two Nudes)
Zwei Menschen (Two Nudes)
Lovis Corinth
drypoint in brown on wove paper · 1908
National Gallery of Art
Sketch Plate, Parson's Green
Sketch Plate, Parson's Green
Theodore Roussel
Drypoint in brown on cream laid paper · 1906
Art Institute of Chicago
La fraction du pain (The Breaking of the Bread)
La fraction du pain (The Breaking of the Bread)
Jean-Louis Forain
etching and drypoint in brown on laid Van Gelder paper · 1902
National Gallery of Art
Après l'apparition (2e planche) (After the Vision) (second plate)
Après l'apparition (2e planche) (After the Vision) (second plate)
Jean-Louis Forain
drypoint in brown on laid Van Gelder paper · 1902
National Gallery of Art
Theodor Linde
Theodor Linde
Edvard Munch
Drypoint in brown on cream wove paper · 1902
Art Institute of Chicago
Mount for Embers Glow
Mount for Embers Glow
Theodore Roussel
Etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago
En Hollande (La petite liseuse)
En Hollande (La petite liseuse)
Félicien Rops
etching and drypoint in brown on china paper · 1895
National Gallery of Art
Portrait of Miss Edith Austin
Portrait of Miss Edith Austin
Theodore Roussel
Etching and drypoint in brown-black on ivory Japanese paper · 1895
Art Institute of Chicago
The Map
The Map
Mary Cassatt, American
Drypoint in brown ink on ivory laid paper · 1890
Art Institute of Chicago
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