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Artworks

98,525 records · enamel · Art Institute Chicago
Triumphs of Julius Caesar: Canvas No. IV
Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Standing Man, Pointing with Right Hand
Standing Man, Pointing with Right Hand
Raphael
Red chalk on ivory laid paper, tipped onto tan laid paper · 1700
Art Institute of Chicago
Portrait of A. Orr
Portrait of A. Orr
Alexander Gallaway
1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Peasants and Cattle Crossing Ford
Peasants and Cattle Crossing Ford
Nicolaes Berchem
Red chalk on cream laid paper, laid down on card · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Playing Putti
Playing Putti
Jacob de Wit
Pen and brown inkm over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. V
Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Muse
Muse
Raphael
Red chalk with stumping, and touches of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Denis
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Kirchner
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Kirchner
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Two Figures Resting on Hillside near Two Trees
Two Figures Resting on Hillside near Two Trees
Franz Kobell
Pen and brown ink, on ivory wove paper, tipped onto tan wove paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Victor Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Victor Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael de Mey
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael de Mey
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Judith Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Judith Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Music-Making Angels
Music-Making Angels
Vittorio Maria Bigari
Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro
Oil on canvas · 1700
Art Institute of Chicago
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