Database / Artworks
Artworks
Nancy Outside in July XI: Red Sweater in Paris
Jim Dine
Hard and soft ground etching, drypoint and aquatint from four copper plates in turquoise, buff and black inks, with hand-painting in acrylic on white wove paper · 1980
Art Institute of Chicago
Nancy Outside in July X: Young and Blue
Jim Dine
Hard and soft ground etching, drypoint and aquatint from three copper plates in brown, rose, blue-green, and black inks, with hand-painting on buff wove paper · 1980
Art Institute of Chicago
Sunglasses - Landing Net - Triangle
James Rosenquist
Etching, drypoint and aquatint on paper · 1974
Tate
So What!
Christian Fossier
Etching, drypoint and aquatint · 1969
Museum of Modern Art
Breakout from the Indiana Pen, from Dillinger
Warrington Colescott
Color hard and soft ground etching, drypoint and aquatint, with vibrograver, and relief rolls through stencils on heavy white wove paper · 1966
Art Institute of Chicago
Composition with Figures
Jacques Lipchitz
Etching, drypoint and aquatint · 1943
Museum of Modern Art
Emblem (Emblème)
André Masson
Etching, drypoint and aquatint · 1942
Museum of Modern Art
New Moon and Evening Star, Phoenix
George Elbert Burr
etching, drypoint and aquatint on paper · 1923
Smithsonian American Art Museum
The Rag Picker
Jean-François Raffaëlli
etching, drypoint and aquatint · 1911
Minne with Her Leg Extended
Jacques Villon
Etching, drypoint and aquatint on ivory Japanese paper · 1907
Art Institute of Chicago
Tête-à-tête
Jean-Louis Forain
Etching, drypoint and aquatint on cream laid paper · 1895
Art Institute of Chicago
The Letter
Mary Cassatt
color softground etching, drypoint and aquatint on laid paper · 1890
National Gallery of Art
The Letter
Mary Cassatt
color softground etching, drypoint and aquatint on laid paper · 1890
National Gallery of Art
Woman, frontispiece from Woman
Albert Besnard
Etching, drypoint and aquatint on cream Japanese paper · 1886
Art Institute of Chicago
Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
Etching, drypoint and aquatint on chine collé; first edition · 1881
The Metropolitan Museum of Art
Place Pigalle en 1878
Félix Hilaire Buhot, French
etching, drypoint and aquatint · 1878
Cleveland Museum of Art
The Mountain, plate 2 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The High Valley, plate 3 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
Dragonfly, plate 1 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The Arch of the Bridge, plate 6 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The River in the Plain, plate 4 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
Swallows, plate 8 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
The Parapet of the Bridge, plate 5 from Le Fleuve
Édouard Manet
Etching, drypoint and aquatint in black on ivory laid paper · 1874
Art Institute of Chicago
Landscape (Paysage)
Alphonse Legros
etching, drypoint and aquatint · 1837
National Gallery of Art