Database / Artworks
Artworks

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of five etchings with drypoint · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of five etchings with drypoint · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of four etchings · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of four etchings · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of four etchings · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of five etchings with drypoint · 2016
Museum of Modern Art

Untitled from an untitled portfolio
Christopher Wool
One from a portfolio of five etchings with drypoint · 2016
Museum of Modern Art

Untitled
Christopher Wool
Etching with drypoint · 2016
Museum of Modern Art

Untitled
Christopher Wool
Portfolio of four etchings · 2016
Museum of Modern Art

In a Bower
Kiki Smith
Etching and aquatint with colored pencil additions · 2015
Museum of Modern Art

Proposal for a Map of the World (Asian-African Conference, Bandung, Indonesia, 1955)
Sam Durant
Etching and screenprint with collage additions · 2015
Museum of Modern Art

Untitled (gap)
Tomma Abts
Aquatint and etching · 2015
Museum of Modern Art

Lo que puede un sastre! / What a tailor can do! from Recurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

Y se le quema la casa / And the house is on fire from Recurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

Ya van desplumados / There they go plucked from Recurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

Ya tienen asiento / Now they are sitting well fromRecurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

Sopla / Gust the wind from Recurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

Bravisimo! / Bravissimo! from Recurrent Goya
Enrique Chagoya
One from a portfolio of fourteen etching and aquatints with letterpress · 2015
Museum of Modern Art

For Alan, Venezia from Alan Cristea Gallery Twentieth Anniversary Portfolio
Joe Tilson
Aquatint from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Strand from Alan Cristea Gallery Twentieth Anniversary Portfolio
Christiane Baumgartner
Woodcut from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Black on Grey Anniversary Print from Alan Cristea Gallery Twentieth Anniversary Portfolio
Ian Davenport
Etching with chine collé from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Telephone from Alan Cristea Gallery Twentieth Anniversary Portfolio
Marie Harnett
Linoleum cut from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

For Alan from Alan Cristea Gallery Twentieth Anniversary Portfolio
Gillian Ayres
Aquatint and carborundum relief from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art

Blue Note from Alan Cristea Gallery Twentieth Anniversary Portfolio
Allen Jones
Lithograph from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut) · 2015
Museum of Modern Art