Database / Artworks
Artworks
Swan and Iris
James McNeill Whistler
etching and drypoint in brown on laid paper · 1883
National Gallery of Art
Two Doorways
James McNeill Whistler
etching and drypoint in brownish-black ink on laid paper · 1880
National Gallery of Art
The Traghetto, No. 2
James McNeill Whistler
Etching and drypoint in brownish black on cream Japanese paper · 1880
Art Institute of Chicago
Ponte del Piovan
James McNeill Whistler
etching and drypoint in brown-black on laid paper · 1879
National Gallery of Art
Nocturne: Salute
James McNeill Whistler
etching and drypoint in brown on laid paper · 1879
National Gallery of Art
Nocturne: Palaces
James McNeill Whistler
etching and drypoint in brownish-black ink on Asian laid paper · 1879
National Gallery of Art
Two Doorways
James McNeill Whistler
etching and drypoint in brownish-black ink on Asian laid paper · 1879
National Gallery of Art
Old Battersea Bridge
James McNeill Whistler
etching and drypoint in brown on laid paper · 1879
National Gallery of Art
Nocturne: Palaces
James McNeill Whistler
etching and drypoint in brownish-black ink on laid paper · 1879
National Gallery of Art
The Dyer
James McNeill Whistler
Etching and drypoint in brown ink on off-white laid paper · 1879
Art Institute of Chicago
Nocturne, from Venice, a Series of Twelve Etchings (the "First Venice Set")
James McNeill Whistler
Etching and drypoint in brown on cream laid paper · 1879
Art Institute of Chicago
Nocturne: Palaces
James McNeill Whistler
Etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper · 1879
Art Institute of Chicago
The Music Room
James McNeill Whistler
etching and drypoint in brown-black on wove paper · 1859
National Gallery of Art
La Vieille aux Loques (The Old Woman with Rags)
James McNeill Whistler
Etching and drypoint in brown ink on ivory laid paper · 1858
Art Institute of Chicago
Pont-Neuf, Paris
Charles Méryon
Etching and drypoint in brown on verdâtre greenish laid paper, hinged to cream laid paper · 1853
Art Institute of Chicago
Traveler Reclining on the Grass (Le voyageur etendu sur le gazon)
Alphonse Legros
etching and drypoint in brown · 1837
National Gallery of Art
Squaring Logs (Homme que fend des buches)
Alphonse Legros
etching and drypoint in brown ink · 1837
National Gallery of Art
The Village
Jean-Pierre Norblin de la Gourdaine
Etching and drypoint in brown-black on cream Japanese paper · 1778
Art Institute of Chicago
The Enclosed Valley
Hercules Seghers
etching and drypoint in brown on laid paper mounted on later laid paper · 1617
National Gallery of Art