Database / Artworks
Artworks

Putti Bacchanal
Carlo Amalfi
Black chalk, with brush and brown wash, on ivory laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Zollinger
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Zollinger
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

View of an Italian Villa and Gardens (the Belvedere of the Vatican)
Jean Jacques de Boissieu
Brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Rider Visiting Farm
Richard John
Pen and black ink, with brush and gray wash, on cream wove paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Anton Raphael Mengs
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Mater Dolorosa
Pierre Hubert Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago

Sketches of Figures, Landscape
Marco Antonio Franceschini
Pen and brown ink, over traces of graphite, on tan laid paper, tipped onto cream wove paper · 1700
Art Institute of Chicago

Child
Jacques Philippe Bouchardon
Bronze · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago

Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Egil
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Montañez Ortiz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Spandrel Decoration with Two Putti
Carlo Maratti
Black crayon, over touches of graphite, on cream laid paper · 1700
Art Institute of Chicago

The Tent, from an Indo-Chinese or Indian Series
John Vanderbank
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Robert Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Portrait of Prince Potemkin
Lampi, Johann Baptist, I
1700
Art Institute of Chicago

Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Robert Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago