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Artworks

221 records · fringe
Kente Wrapper
Kente Wrapper
Asante
Silk and rayon, twenty-four narrow woven strips with bands of warp-stripe plain weave, warp-stripe plain weave with supplementary patterning wefts, warp-stripe plain weave with supplementary brocading wefts, and weft-faced plain weave; joined; main warp fringe · 1900
Art Institute of Chicago
Belt (Faja)
Belt (Faja)
Maya
Cotton and wool, plain weave; embroidered with silk in chain and satin stitches; warp fringe · 1900
Art Institute of Chicago
Sash (Banda)
Sash (Banda)
Maya
Cotton and silk, plain weave with brocading wefts, plied warp fringe · 1900
Art Institute of Chicago
Belt (Faja)
Belt (Faja)
Maya
Cotton, oblique interlacing with bands of warp-faced plain weave; plied fringe · 1900
Art Institute of Chicago
Belt (Wak'a)
Belt (Wak'a)
Aymara
Woll, stripes of plain weave and two color complementary warp weave; braides fringe · 1900
Art Institute of Chicago
Man's Headcloth (Tzute)
Man's Headcloth (Tzute)
Maya
Cotton and acrylic; plain weve with supplementary brocading wefts; plied warp and knotted fringe · 1900
Art Institute of Chicago
Wrapper
Wrapper
Nupe
Cotton and probably silk; stripes of warp-faced plain weave; supplementary brocading wefts with crossing and wavering weft turns; embroidered; two panels joined with machine stitching; four salvages present; group and twisted extending warp fringe · 1900
Art Institute of Chicago
Wrap or Shoulder Cloth (Selimut)
Wrap or Shoulder Cloth (Selimut)
Atoni
Cotton; stripes of warp-faced plain weave; paired warps; plied and twisted extending warp fringe width knotted ends; two panels joined; finished with chain binding stitch at header and footer; four selvage present · 1900
Art Institute of Chicago
Kente Wrapper
Kente Wrapper
Asante
Cotton; plain weave with supplementary brocading wefts; unwoven warp sections between bands of weaving (warp floats); extending warp fringe; 24 strips of joined · 1900
Art Institute of Chicago
Headscarf
Headscarf
Ida Ou Nadif
Wool and linen, plain weave; embroidered with wool, silk, cotton, and linen in chequered chain, double running, herringbone, threaded herringbone, pattern darning, satin, and stem stitches; silk-, cotton- and linen- wrapped cut tassels; top edge: linen and wool, weft twining; warp fringe wrapped with wool and embroidered with silk in compound cross stitches: lower edge: silk, centered weft twining; edged with cotton wrapped cord; silk and cotton wrapped cut tassels · 1900
Art Institute of Chicago
Ogboni Chief's Textile
Ogboni Chief's Textile
Iwo Yoruba
Cotton, indigo dyed; sixteen strips of plain weave, joined by hand stitching; embroidered with wool in chain stitches; edged with cotton, buttonhole stitched uncut fringe · 1900
Art Institute of Chicago
Table Cover for Drawing Room or Boudoir
Table Cover for Drawing Room or Boudoir
Harry Napper
Cotton and wool, warp-resist dyed warp-faced plain weave with supplementary filler and supplementary backing wefts; wool knotted fringe · 1891
Art Institute of Chicago
Ceremonial Hanging (palepai)
Ceremonial Hanging (palepai)
Paminggir
Cotton, silk, and silver-leaf-over-lacquered-paper-strip-wrapped bast fiber (probably ramie), plain weave with supplementary patterning and brocading wefts, main warp fringe · 1890
Art Institute of Chicago
Poncho
Poncho
Ranquel people
Two panels joined: wool, warp-faced plain weave; resist-dyed; applied edging: wool, warp-faced plain weave with plied weft fringe · 1890
Art Institute of Chicago
Blanket
Blanket
Navajo (Diné)
Cotton and wool, single interlocking tapestry weave; main warp knotted cut fringe; twined selvages and heading terminating in tassels; needle-made fringe · 1890
Art Institute of Chicago
Portière
Portière
G
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Woman's Semiformal Domestic Magua (Short Coat)
Woman's Semiformal Domestic Magua (Short Coat)
Manchu
Silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and Pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Portière
Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Dance Blanket with Diving Whale and Raven Motifs
Dance Blanket with Diving Whale and Raven Motifs
Tlingit
Wool and bark, dovetail and single interlocking, discontinuous weft, alternate pair weft twining; extended float twining, eccentric weft twining, and three-strand weft twining; main warp cut fringe; edges of twill oblique interlacing terminating in cut fringe; additional knotted fringe · 1880
Art Institute of Chicago
Valentine
Valentine
Kate Greenaway
White card, chromolithography, gold lithography, magenta silk fringe · 1879
The Metropolitan Museum of Art
Fragment of a Chair Seat
Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago
Fragment of a Chair Seat
Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago
Woman's Changfu (Informal Court Robe)
Woman's Changfu (Informal Court Robe)
Manchu
Silk, plain gauze weave; embroidered in back and stem stitches; sleeve facings: silk, plain gauze weave; embroidered in back, knot, overcast, stem, and straight stitches; laid work and couching; ribbon: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps and extended weft loop fringe; sleeves trimmed with silk, plain weave; metal buttons · 1875
Art Institute of Chicago
Shoulder Cloth (?)
Shoulder Cloth (?)
Komering
Cotton, bands of plain weave, of plain weave embroidered with cotton in chain, double running, eyelet hole and satin stitches; of plain weave with supplementary patterning and brocading wefts; of single interlocking tapestry weave; of weft twining; of weft resist dyed (weft ikat) plain weave; plied knotted warp fringe · 1875
Art Institute of Chicago
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