Database / Artworks
Artworks

Kente Wrapper
Asante
Silk and rayon, twenty-four narrow woven strips with bands of warp-stripe plain weave, warp-stripe plain weave with supplementary patterning wefts, warp-stripe plain weave with supplementary brocading wefts, and weft-faced plain weave; joined; main warp fringe · 1900
Art Institute of Chicago

Belt (Faja)
Maya
Cotton and wool, plain weave; embroidered with silk in chain and satin stitches; warp fringe · 1900
Art Institute of Chicago

Sash (Banda)
Maya
Cotton and silk, plain weave with brocading wefts, plied warp fringe · 1900
Art Institute of Chicago

Belt (Faja)
Maya
Cotton, oblique interlacing with bands of warp-faced plain weave; plied fringe · 1900
Art Institute of Chicago

Belt (Wak'a)
Aymara
Woll, stripes of plain weave and two color complementary warp weave; braides fringe · 1900
Art Institute of Chicago

Man's Headcloth (Tzute)
Maya
Cotton and acrylic; plain weve with supplementary brocading wefts; plied warp and knotted fringe · 1900
Art Institute of Chicago

Wrapper
Nupe
Cotton and probably silk; stripes of warp-faced plain weave; supplementary brocading wefts with crossing and wavering weft turns; embroidered; two panels joined with machine stitching; four salvages present; group and twisted extending warp fringe · 1900
Art Institute of Chicago

Wrap or Shoulder Cloth (Selimut)
Atoni
Cotton; stripes of warp-faced plain weave; paired warps; plied and twisted extending warp fringe width knotted ends; two panels joined; finished with chain binding stitch at header and footer; four selvage present · 1900
Art Institute of Chicago

Kente Wrapper
Asante
Cotton; plain weave with supplementary brocading wefts; unwoven warp sections between bands of weaving (warp floats); extending warp fringe; 24 strips of joined · 1900
Art Institute of Chicago

Headscarf
Ida Ou Nadif
Wool and linen, plain weave; embroidered with wool, silk, cotton, and linen in chequered chain, double running, herringbone, threaded herringbone, pattern darning, satin, and stem stitches; silk-, cotton- and linen- wrapped cut tassels; top edge: linen and wool, weft twining; warp fringe wrapped with wool and embroidered with silk in compound cross stitches: lower edge: silk, centered weft twining; edged with cotton wrapped cord; silk and cotton wrapped cut tassels · 1900
Art Institute of Chicago

Ogboni Chief's Textile
Iwo Yoruba
Cotton, indigo dyed; sixteen strips of plain weave, joined by hand stitching; embroidered with wool in chain stitches; edged with cotton, buttonhole stitched uncut fringe · 1900
Art Institute of Chicago

Table Cover for Drawing Room or Boudoir
Harry Napper
Cotton and wool, warp-resist dyed warp-faced plain weave with supplementary filler and supplementary backing wefts; wool knotted fringe · 1891
Art Institute of Chicago

Ceremonial Hanging (palepai)
Paminggir
Cotton, silk, and silver-leaf-over-lacquered-paper-strip-wrapped bast fiber (probably ramie), plain weave with supplementary patterning and brocading wefts, main warp fringe · 1890
Art Institute of Chicago

Poncho
Ranquel people
Two panels joined: wool, warp-faced plain weave; resist-dyed; applied edging: wool, warp-faced plain weave with plied weft fringe · 1890
Art Institute of Chicago

Blanket
Navajo (Diné)
Cotton and wool, single interlocking tapestry weave; main warp knotted cut fringe; twined selvages and heading terminating in tassels; needle-made fringe · 1890
Art Institute of Chicago

Portière
G
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Woman's Semiformal Domestic Magua (Short Coat)
Manchu
Silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and Pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Portière
Anna G. Lyman
Silk, warp-float faced twill weave with supplementary pile warps forming cut solid velvet; embroidered with gilt paper and gold-leafed-paper-strip-wrapped cotton and silk in satin and stem stitches; laid work, couching and French knots; fringe of gilt-paper-strip-wrapped cotton and silk, wrapped and braided; lined with silk, weft-float faced satin weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago

Dance Blanket with Diving Whale and Raven Motifs
Tlingit
Wool and bark, dovetail and single interlocking, discontinuous weft, alternate pair weft twining; extended float twining, eccentric weft twining, and three-strand weft twining; main warp cut fringe; edges of twill oblique interlacing terminating in cut fringe; additional knotted fringe · 1880
Art Institute of Chicago

Valentine
Kate Greenaway
White card, chromolithography, gold lithography, magenta silk fringe · 1879
The Metropolitan Museum of Art

Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago

Fragment of a Chair Seat
Thomas Wardle
Cotton, twill weave with supplementary pile wefts forming cut solid (velveteen); block printed; fringe: cotton, silk and wool; woven · 1878
Art Institute of Chicago

Woman's Changfu (Informal Court Robe)
Manchu
Silk, plain gauze weave; embroidered in back and stem stitches; sleeve facings: silk, plain gauze weave; embroidered in back, knot, overcast, stem, and straight stitches; laid work and couching; ribbon: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps and extended weft loop fringe; sleeves trimmed with silk, plain weave; metal buttons · 1875
Art Institute of Chicago

Shoulder Cloth (?)
Komering
Cotton, bands of plain weave, of plain weave embroidered with cotton in chain, double running, eyelet hole and satin stitches; of plain weave with supplementary patterning and brocading wefts; of single interlocking tapestry weave; of weft twining; of weft resist dyed (weft ikat) plain weave; plied knotted warp fringe · 1875
Art Institute of Chicago