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Artworks

221 records · fringe
Belt (Chumpi or Wak’a)
Belt (Chumpi or Wak’a)
Quechua
Wool and cotton, stripes of plain weave and two-color complementary warp weave; braided fringe · 1875
Art Institute of Chicago
Belt (Chumpi or Wak’a)
Belt (Chumpi or Wak’a)
Quechua
Wool and cotton, complementary warp; warp fringe. · 1875
Art Institute of Chicago
Belt (Chumpi or Wak’a)
Belt (Chumpi or Wak’a)
Quechua
Wool and cotton, two-color complementary warp weave based on a diamond twill weave; braided warp fringe · 1875
Art Institute of Chicago
Coverlet
Coverlet
John Schneider
Wool, plain weave double cloth; main warp fringe; woven on loom with Jacquard attachment; two loom widths joined · 1872
Art Institute of Chicago
Woman's Long Shawl
Woman's Long Shawl
Antony
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of warp-float faced 1:2 'Z' twill weave; patterned areas of two layers, plain weave and plain weave with seven-color complementary wefts, floats trimmed on reverse; knotted main warp fringe; woven on loom with Jacquard attachment; two selvages present · 1870
Art Institute of Chicago
Coverlet
Coverlet
William Craig, Jr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago
Coverlet
Coverlet
John Craig
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago
Coverlet
Coverlet
John Rogers
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1853
Art Institute of Chicago
Coverlet
Coverlet
Samuel Snider
Wool and cotton, plain weave with supplementary patterning wefts; main warp and extended supplementary weft cut fringe · 1852
Art Institute of Chicago
Coverlet
Coverlet
Andrew Seifert
Wool and cotton, plain weave with supplementary patterning wefts bound in plain interlacings with main warp cut and extended supplementary patterning weft uncut fringe; woven on loom with Jacquard attachment; two selvages present · 1851
Art Institute of Chicago
Shawl
Shawl
Antony
Silk and wool, twill weave with supplementary patterning wefts bound in twill interlacings; main warp fringe; woven on a loom with a Jacquard attachment · 1850
Art Institute of Chicago
Coverlet
Coverlet
JR
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago
Coverlet
Coverlet
William Craig, Jr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago
Shawl
Shawl
Anthony Berrus
Silk and wool, twill weave with supplementary patterning wefts bound in twill interlacings; main warp fringe; woven on a loom with a Jacquard attachment · 1850
Art Institute of Chicago
Tablecloth
Tablecloth
Johann Backhausen und Söhne
Cotton, three-color complementary warp and two-color complementary weft plain weave; edged with cotton and rayon, plain weave with supplementary patterning warps and self-patterning main warp floats; extended weft fringe; woven on loom with Jacquard attachment · 1850
Art Institute of Chicago
Chief’s Poncho
Chief’s Poncho
Mapuche
Wool, plain weave with stripes of two-color complementary warp weave; embroidered with wool in twined double running stitches; plied warp fringe · 1850
Art Institute of Chicago
Poncho
Poncho
Aymara
Wool, stripes of plain weave and three-color complementary warp weave; joined with darning stitches; bottom edged with tape of three-color complementary warp weave; plain weave with extended supplementary patterning weft fringe · 1850
Art Institute of Chicago
Coverlet
Coverlet
JR
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago
Coverlet
Coverlet
Rebexy Gray Hamilton
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1849
Art Institute of Chicago
Long Shawl
Long Shawl
Antony
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'Z' twill weave; patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with Jacquard attachment · 1848
Art Institute of Chicago
Long Shawl
Long Shawl
Anthony Berrus
Wool and cotton, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'Z' twill weave; patterned areas of warp-float faced 3:1 'Z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 twill interlacings; main warp fringe;woven on loom with Jacquard attachment · 1848
Art Institute of Chicago
Coverlet
Coverlet
Matthew Rattray
Cotton and wool, plain weave double cloth; two loom widths joined; fringed · 1846
Art Institute of Chicago
Coverlet
Coverlet
Abram William Van Doren
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; cotton, machine-knit fringe; two loom widths joined; all selvages present · 1846
Art Institute of Chicago
Coverlet
Coverlet
William Craig, Sr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; main warp fringe; two loom widths joined · 1846
Art Institute of Chicago
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