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Artworks

Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art

Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art

Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art

Speculum Romanae Magnificentiae
Antonio Lafreri
1535
The Metropolitan Museum of Art

Design for a Term with the Head of Woman, Strapwork and Trophies
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art

Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art

Term in the Form of a Woman with Musical Instrument
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art

Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art

Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art

Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art

Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art

Design for a Term with the Head of Woman, Strapwork and Trophies
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art

Study of a Young Woman in Three-quarter Bust-Length
Bronzino
Black chalk · 1535
The Metropolitan Museum of Art

Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art

Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art

Mary Magdalen carried to Heaven
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art

Term in the Form of an Old Man Warming His Hands
Jean Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art

Madonna and Child with a Bird
Diana Scultori
Engraving · 1535
The Metropolitan Museum of Art

The Banquet of the Gods
Guglielmo della Porta
Pen and brown ink, over black chalk · 1534
The Metropolitan Museum of Art

The Witches at the Walnut Tree of Benevento
Guglielmo della Porta
Pen and brown ink · 1534
The Metropolitan Museum of Art

The Triumph of Time on Fame, from "The Triumphs of Petrarch"
Georg Pencz
Engraving · 1534
The Metropolitan Museum of Art

Illustrations to Proverbs 10: 4-7
Daniel Hopfer
Etching; first state of two · 1534
The Metropolitan Museum of Art

Classical Female Figure (Diana or Venus) with Two Infants
Francesco Primaticcio
Pen and brown ink, highlighted with white gouache, over traces of black chalk, stylus and compass construction; traces of squaring in black chalk · 1534
The Metropolitan Museum of Art

Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
Engraving · 1534
The Metropolitan Museum of Art