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Artworks

Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Six Decorative Studies; Verso, Anatomical Study
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies for Ceilings; Verso: Head in Profile with Antique Helmet
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies of Ceilings with Grotesque; Studies of Monument with Papal Seale, Sisto V
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Five Studies of Ceiling with Grotesques; Madonna
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies of Candelabrum and a Ceiling
Felice Giani, Italian
graphic design, drawing — pen and ink, brush with watercolor washes over traces of graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Two Decorartive Studies of Ceilings; Verso: Studies of Heads
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies of Animals and Male Heads
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies of Toes
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Four Decorative Studies of Ceilings; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Eight Studies of Friezes and Candelabrum
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Decorative Study; Verso: Anatomical Study
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on cream laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1812
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper · 1812
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural Sketch
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page, Folio 57: Study after Porta di Saragossa in Bologna; Verso, Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink , brush and brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of Lion
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush with brown wash over traces of graphite on cream laid paper · 1811
Cooper Hewitt, Smithsonian Design Museum

Four Studies of Works by Perugino and Francia
Felice Giani, Italian
graphic design, drawing — pen and brown ink, brush and brown wash over black chalk on cream wove paper · 1811
Cooper Hewitt, Smithsonian Design Museum