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Artworks

252 records · graphite on laid paper
The Vision of the Lord of Spirits
The Vision of the Lord of Spirits
William Blake
graphite on laid paper · 1824
National Gallery of Art
Enoch before the Great Glory
Enoch before the Great Glory
William Blake
graphite on laid paper · 1824
National Gallery of Art
The Descent of the Angels to One of the Daughters of Men
The Descent of the Angels to One of the Daughters of Men
William Blake
graphite on laid paper · 1824
National Gallery of Art
An Angel Teaching a Daughter of Men the Secrets of Sin
An Angel Teaching a Daughter of Men the Secrets of Sin
William Blake
graphite on laid paper · 1824
National Gallery of Art
Job and His Daughters
Job and His Daughters
William Blake
graphite on laid paper · 1821
National Gallery of Art
Cartoons of Death of Ananias and St. Paul, after Raphael
Cartoons of Death of Ananias and St. Paul, after Raphael
Felice Giani, Italian
graphic design, drawing — pen and dark ink, brush and sepia wash over traces of graphite on laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Hygeia, after an Antique Statue in Giustiniani Collection, Rome
Hygeia, after an Antique Statue in Giustiniani Collection, Rome
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and bistre wash, traces of graphite on laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Wall and Ceiling Decorations in the Pompeiian Style
Wall and Ceiling Decorations in the Pompeiian Style
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash, black chalk, graphite on laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael Sanzio
The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael Sanzio
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and sepia wash over traces of graphite on laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Godfrey de Bouillon, after Giulio Romano and Raphael Sanzio
Godfrey de Bouillon, after Giulio Romano and Raphael Sanzio
Felice Giani, Italian
figures, drawing — pen and ink, brush and sepia wash over traces of graphite on laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
The Murder of Archbishop Sharpe
The Murder of Archbishop Sharpe
William Allan
pen and brown ink with brown wash over graphite on laid paper · 1820
National Gallery of Art
Character Study
Character Study
Charles Wesley Jarvis
black chalk and graphite on laid paper · 1820
National Gallery of Art
Bords de Canal
Bords de Canal
Johan Barthold Jongkind
red chalk and graphite on laid paper · 1819
National Gallery of Art
Study for "Swiss Sentry at the Louvre"
Study for "Swiss Sentry at the Louvre"
Théodore Géricault
graphite on laid paper · 1819
National Gallery of Art
Decorative Studies of Candelabra; Verso: Masculine Heads
Decorative Studies of Candelabra; Verso: Masculine Heads
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor over graphite on laid paper · 1817
Cooper Hewitt, Smithsonian Design Museum
Four Drawings of the Myth of Apollo; Decoration of a Wall over a Mantel, Sala di Apollo, Palazzo Cavina, Faenza
Four Drawings of the Myth of Apollo; Decoration of a Wall over a Mantel, Sala di Apollo, Palazzo Cavina, Faenza
Felice Giani, Italian
figures, drawing — pen and ink, brush and greyish-brown wash over traces of graphite on laid paper · 1816
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Profile Heads of Barbarians
Decorative Studies; Verso: Profile Heads of Barbarians
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Motifs; Verso: Anatomical Studies
Decorative Motifs; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes with traces of graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Study; Verso: Two Head Studies
Decorative Study; Verso: Two Head Studies
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Architectural Interior Elements; Verso: Anatomical Studies
Architectural Interior Elements; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink over traces of graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Anatomical Studies
Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms
Seven Studies of Quadrilateral Ceilings; Verso: Two Anatomical Studies of Arms
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Decorative Studies; Verso: Anatomical Studies
Decorative Studies; Verso: Anatomical Studies
Felice Giani, Italian
graphic design, drawing — pen and ink over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
Six Decorative Studies; Verso, Anatomical Study
Six Decorative Studies; Verso, Anatomical Study
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and watercolor washes over graphite on laid paper · 1814
Cooper Hewitt, Smithsonian Design Museum
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