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Artworks

Letter of Congratulations to Karna Martensdottir
Unknown Artist
Watercolor, over graphite, heightened with gum arabic, on cream wove paper · 1852
Art Institute of Chicago

Letter of Congratulations to Karna Martensdottir
Unknown Urhobo Artist
Watercolor, over graphite, heightened with gum arabic, on cream wove paper · 1852
Art Institute of Chicago

Concert Room of Sanssouci Palace, Potsdam, Germany
Eduard Gaertner
Brush and gouache, watercolor, graphite, gum arabic on white wove paper · 1852
Cooper Hewitt, Smithsonian Design Museum

Harvesting
Samuel Palmer
watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard · 1851
National Gallery of Art

Indian Falls, Indian Brook, Cold Springs, New York
William Rickarby Miller
Watercolor, pen and ink, graphite, gouache, and gum arabic on tan wove paper · 1850
The Metropolitan Museum of Art

Indian Falls, Indian Brook, Cold Springs, New York
William Rickarby Miller
Watercolor, pen and ink, graphite, gouache, and gum arabic on tan wove paper · 1850
The Metropolitan Museum of Art

Indian Falls, Indian Brook, Cold Springs, New York
William Rickarby Miller
Watercolor, pen and ink, graphite, gouache, and gum arabic on tan wove paper · 1850
The Metropolitan Museum of Art

A Farm near the Sea at Margate, Kent
George Richmond
watercolor over graphite with gum arabic · 1850
National Gallery of Art

At the Waterfall
David Claypoole Johnston
Watercolor, gum arabic, and gouache on off-white wove paper · 1850
The Metropolitan Museum of Art

Bedroom of King Pedro IV of Portugal (Emperor Dom Pedro I of Brazil), Palace of Queluz
Ferdinand le Feubure, German
Brush and watercolor, graphite, gum arabic on white wove paper · 1850
Cooper Hewitt, Smithsonian Design Museum

View on the River Wye, Looking towards Chepstow
John Martin
watercolor, gouache, and touches of oil paint (?) over graphite with scraping out, heightened with varnish and/or gum arabic, on wove paper · 1844
National Gallery of Art

Mrs. Anne Walbanke-Childers
George Richmond
watercolor over graphite with gouache and gum arabic on wove paper, laid down on card · 1843
National Gallery of Art

Lancaster: Peace and War
David Cox, the elder
Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper · 1842
Art Institute of Chicago

Lancaster: Peace and War
David Cox
Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper · 1842
Art Institute of Chicago
The Valley of the Tyne, My Native Country near Henshaw
John Martin
watercolor, gouache and gum arabic with graphite underdrawing, sanding, and scraping · 1842
Cleveland Museum of Art

Lancaster: Peace and War
David Cox
Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper · 1842
Art Institute of Chicago

Driving sheep in a rocky landscape
David Cox
Black chalk and watercolor, heightened with white gouache (bodycolor) and gum arabic · 1841
The Metropolitan Museum of Art

Mr. and Mrs. Daniel Otis and Child
Joseph H. Davis
Watercolor, gum arabic, and graphite on off-white wove paper · 1834
The Metropolitan Museum of Art

View of Chepstow, Wales
John Scarlett Davis
Watercolor over graphite with stopping out and gum arabic · 1834
The Metropolitan Museum of Art

An Interior
John Frederick Lewis
Watercolour, gouache and gum arabic on paper · 1834
Tate

Portrait and Birth Record of Mahala Wechter
Jacob Maentel
Watercolor, gouache, gum arabic, and graphite on off-white wove paper · 1833
The Metropolitan Museum of Art
Cathédrale Sainte-André de Bordeaux
Adrien Dauzats
watercolor with gum arabic and touches of gouache · 1832
Cleveland Museum of Art
Cathédrale Sainte-André de Bordeaux
Adrien Dauzats
watercolor with gum arabic and touches of gouache · 1832
Cleveland Museum of Art

Avenue and Castle
John Varley
Chalk, watercolour and gum arabic on paper · 1831
Tate