Database / Artworks
Artworks
View of St. Charles Church and the Polytechnic Institute in Vienna
Rudolf von Alt
Graphite, watercolor, gouache, gum arabic. Black framing line in watercolor · 1831
A Barn Interior
William Hunt
Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper · 1830
Art Institute of Chicago
A Barn Interior
William Henry Hunt
Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper · 1830
Art Institute of Chicago
A Barn Interior
Henry Hunt
Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper · 1830
Art Institute of Chicago
A Barn Interior
William Henry Hunt, British
Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper · 1830
Art Institute of Chicago
A Barn Interior
William Henry Hunt
Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper · 1830
Art Institute of Chicago
A Hilly Scene
Samuel Palmer
Watercolour and gum arabic on paper on mahogany · 1826
Tate
Romantic Woodland
Francis Danby
Watercolour, gum arabic and graphite on paper · 1824
Tate
General with Troops in Background
Denis Auguste Marie Raffet
Watercolor, heightened with lead white, over graphite, selectively varnished with gum arabic, on cream wove paper · 1824
Art Institute of Chicago
View of Avignon (from Villeneuve les Avignon)
Paul Huet
Watercolor, with touches of gouache and scraping, selectively varnished with gum arabic, over traces of graphite, on ivory wove paper · 1823
Art Institute of Chicago
John Eliot Preaching to the Indians
Felix Octavius Carr Darley
Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white wove paper · 1822
The Metropolitan Museum of Art
John Eliot Preaching to the Indians
Felix Octavius Carr Darley
Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white wove paper · 1822
The Metropolitan Museum of Art
The Bay of New York Looking to the Narrows and Staten Island, Taken from Brooklyn Heights
William Wall
Watercolor and gum arabic on white wove paper · 1820
The Metropolitan Museum of Art
Portrait of Anne Law (née Towry), 1st Lady Ellenborough
John Linnell
watercolor on ivory heightened with gum arabic · 1816
Cleveland Museum of Art
Dover Harbor
John Gendall
Watercolor and gouache, with pen and brown and black ink, over graphite, heightened with gum arabic, on cream laid paper, laid down on ivory card · 1815
Art Institute of Chicago
Man and Child (from McGuire Scrapbook)
William Page
Watercolor, white gouache, and gum arabic on heavy weight brown wove paper · 1811
The Metropolitan Museum of Art
Man and Child (from McGuire Scrapbook)
William Page
Watercolor, white gouache, and gum arabic on heavy weight brown wove paper · 1811
The Metropolitan Museum of Art
Man and Child (from McGuire Scrapbook)
William Page
Watercolor, white gouache, and gum arabic on heavy weight brown wove paper · 1811
The Metropolitan Museum of Art
Salisbury Plain with Old Sarum in the distance, Wiltshire
William Turner of Oxford
Watercolor over graphite, with reductive techniques and gum arabic · 1810
The Metropolitan Museum of Art
An Illustration to Shakespeare’s ‘King John’: Constance and Arthur
Thomas Stothard
Ink, watercolour and gum arabic on paper · 1802
Tate
Cavalry Skirmish
Guillaume Courtois
Brush and brown wash, heightened with gum arabic and lead white (discolored), with black chalk over graphite, on brown wove paper · 1800
Art Institute of Chicago
An Illustration to ‘Sohrab’
Thomas Stothard
Ink, watercolour and gum arabic on paper · 1800
Tate
Carnarvon
John Sell Cotman
Graphite, watercolour and gum arabic on paper · 1800
Tate
Cavalry Skirmish
Guillaume Courtois
Brush and brown wash, heightened with gum arabic and lead white (discolored), with black chalk over graphite, on brown wove paper · 1800
Art Institute of Chicago