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Artworks

28,119 records · ink
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Wang Hui 王翚
Handscroll; ink on paper · 1632
Art Institute of Chicago
Study for Saint Francis Receiving the Stigmata
Study for Saint Francis Receiving the Stigmata
Guercino, Italian
Pen and brown ink, with traces of brush and brown wash, on tan laid paper, laid down on cream laid paper · 1632
Art Institute of Chicago
View of the Choir of the Sint-Petruskerk, 's-Hertogenbosch
View of the Choir of the Sint-Petruskerk, 's-Hertogenbosch
Pieter Jansz Saenredam
brush on ink, chalk, paper · 1632
Rijksmuseum
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz Saenredam
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
View of the Town Hall, 's-Hertogenbosch
View of the Town Hall, 's-Hertogenbosch
Pieter Jansz Saenredam
brush on paper, ink · 1632
Rijksmuseum
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Wang Hui
Handscroll; ink on paper · 1632
Art Institute of Chicago
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Wang Hui
Handscroll; ink on paper · 1632
Art Institute of Chicago
The Flagellation of Christ
The Flagellation of Christ
Matthäus Gundelach
Black chalk, pen and brown ink, brush and brown wash, heightened with white · 1632
The Metropolitan Museum of Art
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Xiao Hui Wang
Handscroll; ink on paper · 1632
Art Institute of Chicago
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
View of the Choir of the Sint-Petruskerk, 's-Hertogenbosch
View of the Choir of the Sint-Petruskerk, 's-Hertogenbosch
Pieter Jansz.
brush on ink, chalk, paper · 1632
Rijksmuseum
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz.
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
View of the Town Hall, 's-Hertogenbosch
View of the Town Hall, 's-Hertogenbosch
Pieter Jansz.
brush on paper, ink · 1632
Rijksmuseum
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Jiahui Wang
Handscroll; ink on paper · 1632
Art Institute of Chicago
Assumption of the Virgin
Assumption of the Virgin
Carlo Maratti
Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid paper · 1632
Art Institute of Chicago
Scholar Playing a Qin 弹琴折扇
Scholar Playing a Qin 弹琴折扇
cheng Ji 程及
Folding fan mounted as an album leaf; ink on gold-flecked paper · 1632
Art Institute of Chicago
Assumption of the Virgin
Assumption of the Virgin
Carlo Maratti
Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid paper · 1632
Art Institute of Chicago
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz.
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
print
print
Daniel Rabel
ornament, print — etching, ink on paper · 1632
Cooper Hewitt, Smithsonian Design Museum
Print
Print
Daniel Rabel
ornament, print — engraving, black ink on paper · 1632
Cooper Hewitt, Smithsonian Design Museum
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani, Italian
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
The Bamboo Slope 竹坡圖
The Bamboo Slope 竹坡圖
Wang Hui
Handscroll; ink on paper · 1632
Art Institute of Chicago
Portrait of a man in profile, turned to the left
Portrait of a man in profile, turned to the left
Simon Vouet
black and white chalks, red, pink and yellow pastel on light brown paper · 1632
Cleveland Museum of Art
Hermit-Fisherman on a Spring River
Hermit-Fisherman on a Spring River
Lan Ying
Hanging scroll; ink and color on silk · 1632
The Metropolitan Museum of Art
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