Database / Artworks
Artworks

Three Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink, brush and watercolor on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

Three Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink, brush and watercolor on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

Five Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — pen and ink, brush and wash on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

Four Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — pen and ink, brush and sepia on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

Four Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — pen and ink, brush and bistre on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

Figural Study of a Man
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink on paper · 1630
Cooper Hewitt, Smithsonian Design Museum

The Assumption of the Virgin with Two Bishops and Other Figures
Giulio Benso
pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on a decorative mount · 1630
National Gallery of Art

The Massacre of the Innocents
Giovanni Francesco Romanelli
pen and brown ink with brown and blue wash over black chalk, heightened with white gouache, on laid paper · 1630
National Gallery of Art

Beggar Man and Woman
Rembrandt van Rijn
pen and brown ink on laid paper; laid down · 1630
National Gallery of Art

Landscape with a Bridge
Claude Lorrain
pen and brown ink with brown wash over black chalk on laid paper · 1630
National Gallery of Art

Creusa Carrying the Gods of Troy
Simon Vouet
black chalk heightened with white chalk on blue laid paper, with later framing line in brown ink · 1630
National Gallery of Art

The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch the Younger
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago

Man met bontkraag, hoed en staf
Jan van de Velde, II
pen on ink, parchment (animal material) · 1630
Rijksmuseum

An Inhabited Ruin on the Bank of a River
Jan van de Velde, II
Pen and two shades of brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink, possibly by the artist · 1630
The Metropolitan Museum of Art

Landschap met de doop van de kamerling
Herman van Swanevelt
pen on ink, paper · 1630
Rijksmuseum

A Frigate at Sea
Pierre Puget, French
Pen and black ink, gray wash, brown ink, over black chalk, on vellum. Mounted on board. · 1630
The Metropolitan Museum of Art

Blessed Ascending to Heaven
Giovanni Francesco Romanelli
Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper · 1630
Art Institute of Chicago

Roman Landscape
Bartholomeus Breenbergh
Pen and brown ink, with brush and brown wash, over red chalk, on cream laid paper · 1630
Art Institute of Chicago

God the Father
François Boitard
Pen and brown ink, heightened with lead white (partly discolored), over traces of red chalk, on tan laid paper · 1630
Art Institute of Chicago

Damnation of Heresy
Pietro Testa
Pen and brown ink and brush and brown wash with traces of black chalk, on ivory laid paper · 1630
Art Institute of Chicago

Landscape with Dancers and Musicians
Ercole Bazzicaluva
Pen and brown ink, over traces of black chalk, on buff laid paper, laid down on ivory wove paper · 1630
Art Institute of Chicago

Wooded Landscape with Traveler in Foreground
Ercole Bazzicaluva
Pen and brown ink on cream laid paper, laid down on ivory laid paper · 1630
Art Institute of Chicago

Monumental Vase with Anthropomorphic Figures
Jacques François Joseph Saly
Pen and black ink, with brush and black, gray, yellow, and pale pink wash, on ivory laid paper · 1630
Art Institute of Chicago

Old Peasant Couple in Cottage
Adriaen van Ostade
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on card · 1630
Art Institute of Chicago