Database / Artworks
Artworks
Dunglinson House, Ealing, London, England, Floor Plan
Iannelli Studios
Ink and graphite on board · 1934
Art Institute of Chicago
Court House project (Two perspectives)
Ludwig Mies van der Rohe
Ink and graphite on tracing paper · 1934
Museum of Modern Art
Portrait of Mrs. Bl.
Paul Klee
Pen and black and brown ink and graphite with smudging on off-white wove paper, laid down on ivory wove card. · 1931
Art Institute of Chicago
Unity Temple, Oak Park, IL (Exterior perspective and partial plan)
Frank Lloyd Wright
Ink and graphite on paper · 1929
Museum of Modern Art
Shriner, Patti Adams, House and Studio, number 2, Tulsa, OK: Presentation Plan: "Patti Adams School of Music, Studio & Home"
Bruce Goff
Ink and graphite on white tracing paper · 1928
Art Institute of Chicago
Bank and Office Building, project, Stuttgart, Germany, Perspective
Adolf Abel
Silver-gelatin photograph, ink and graphite · 1928
Museum of Modern Art
Capitol Theatre and Office Building, Melbourne, Australia, Elevation
Walter Burley Griffin
Ink and graphite on linen · 1924
Art Institute of Chicago
Capitol Theatre and Office Building, Melbourne, Australia, Plan and Elevations
Walter Burley Griffin
Ink and graphite on linen · 1924
Art Institute of Chicago
Capitol Theatre and Office Building, Melbourne, Australia, Plan and Section
Walter Burley Griffin
Ink and graphite on linen · 1924
Art Institute of Chicago
Capitol Theatre and Office Building, Melbourne, Australia, Plan and Elevation
Walter Burley Griffin
Ink and graphite on linen · 1924
Art Institute of Chicago
Capitol Theatre and Office Building, Melbourne, Australia, Elevations and Sections
Walter Burley Griffin
Black and brown ink and graphite on linen · 1924
Art Institute of Chicago
OB197
Ella Bergmann-Michel
Pen and black ink and graphite, with smudging and erasing, on cream wove tracing paper · 1924
Art Institute of Chicago
École Primaire for Une Cité Moderne, Perspective View
Robert Mallet-Stevens
Ink and graphite on paper · 1921
Art Institute of Chicago
The Departure for Versailles
Jean-Louis Forain
brush and brown ink and graphite on laid paper · 1919
National Gallery of Art
Standing Female Nude (recto); Standing Female Nude (verso)
Francis Chapin
Watercolor and gouache, with pen and black ink and graphite (recto), and watercolor (verso), on off-white watercolor paper · 1919
Art Institute of Chicago
Abstract Composition
Edward Wadsworth
Gouache, ink and graphite on paper · 1915
Tate
Ideal Female Head (recto); Horse (verso)
Elie Nadelman
Pen and black ink and graphite (recto) and graphite (verso) on cream wove paper · 1915
Art Institute of Chicago
The Orchard
Paul Nash
Watercolour, ink and graphite on paper · 1914
Tate
Female Nude
Max Weber
Pen and black ink and graphite, on cream wood pulp laminate board · 1914
Art Institute of Chicago
Study for ‘Leeds Market’
Harold Gilman
Ink and graphite on paper · 1913
Tate
Plate 126 from The Plan of Chicago, 1909: Chicago. Section Looking North, Taken through Proposed Grand Axis of the City, Showing the Civic Center and Grant Park.
Daniel Hudson Burnham
pen and black ink and graphite, with watercolor, on cream wove paper, laid down on canvas · 1909
Art Institute of Chicago
Château de Fontainebleau
Le Corbusier
Watercolor, with pen and black ink and graphite on cream laid paper · 1907
Art Institute of Chicago
The Temple, Paris
Frederick Landseer Maur Griggs
ink and graphite · 1904
Cleveland Museum of Art
Felton House, Evanston, Illinois, Perspective and Plans
Walter Burley Griffin
Ink and graphite on linen · 1903
Art Institute of Chicago