Database / Artworks
Artworks
Were II
Roni Horn
Brush and red opaque pigment with varnish, brush and red-pink washes, and graphite on scored, off-white wove paper · 2004
Art Institute of Chicago
Liam
Elizabeth Peyton
Ink wash and pencil on paper · 1996
Museum of Modern Art
Garden #16
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Garden #22
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Garden #8 (revised)
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Untitled
Martin Puryear
Ink wash, conté crayon, and pencil on cut-and-taped colored paper · 1993
Museum of Modern Art
My Blood
Jimmie Durham
Watercolor, crayon, and brush and handprint in brown ink on ivory wove paper, cut and collaged onto ivory wove paper prepared with blood mixed with pink wash, with black fiber-tipped pen and cut and pasted black laser printed label · 1991
Art Institute of Chicago
<i>Untitled</i>/"The history of modern painting, to label it with a phrase, has been the struggle against the catalogue"--Barnett Newman/(Monochrome Painting, 1988-1989)
Stephen Prina
Ink wash on rag, barrier paper, and cardboard, 67 parts · 1991
Museum of Modern Art
Optimistic (Optimistisch)
Georg Baselitz
Woodcut and ink wash · 1990
Museum of Modern Art
Optimistic (Optimistisch)
Georg Baselitz
Woodcut and ink wash · 1990
Museum of Modern Art
Muses Drawing 5 (Mnemosyne)
Brice Marden
Ink and ink wash on paper · 1989
Museum of Modern Art
Untitled
Raymond Pettibon
Brush and black ink and pink wash on off-white wove paper · 1988
Art Institute of Chicago
Wall Drawing #574: Fifteen equal arcs from the midpoint of the left side, with all one-, two-,three-, and four-part combinations of four colors, using color ink washes
Sol LeWitt
Color ink wash · 1988
Art Institute of Chicago
Exquisite Corpse: The Complete Paintings of Manet, 41 of 556, Nymphe Surprise (The Startled Nymph), 1861, Nasjonalgalleriet, Oslo
Stephen Prina
Ink wash and offset lithograph · 1988
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, Garden of Sounds, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, View at elliptical passage, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, Subway station and shops, ticket-taker tower, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, New subway station opening onto elongated gap, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, Water basin, amphitheater, and jack-up rig, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
Porta Vittoria, project, Milan, Italy, Passage below water basin, perspective and plan
Steven Holl
Graphite, ink and ink wash on paper · 1986
Museum of Modern Art
The Sadness in Our Art
Gilbert & George
Offset lithograph in black and brush and brown ink wash, with red ink stamp, on cream wove paper with burnt edges · 1970
Art Institute of Chicago
Southwest Blues
Helen Frankenthaler
Color lithograph from two stones on white wove paper, with purple ink wash on white wove paper attached to bottom edge · 1969
Art Institute of Chicago
Figure Drawing No. 7
Frank Lobdell
Brush and black ink and ink wash, with graphite, on off-white wove paper · 1964
Art Institute of Chicago
Untitled
Sérvulo Esmeraldo
Pen and black ink and brush and black ink wash on cream wove paper · 1963
Art Institute of Chicago