Database / Artworks
Artworks

Gardiner Howland and Samuel Howland
Auguste Edouart
Lithograph and cut paper on paper with ink wash · 1840
National Portrait Gallery

Erastus Root
Auguste Edouart
Ink wash, chalk and cut paper on paper · 1840
National Portrait Gallery

John McVickar and Benjamin Butler
Auguste Edouart
Ink wash, chalk and cut paper on paper · 1840
National Portrait Gallery

Lyman Walker and Henry Walton
Auguste Edouart
Ink wash, chalk and cut paper on paper · 1840
National Portrait Gallery
Asnæs Skov, Bay at Kalundborg Fjord
Johan Lundbye
Pen and black ink and gray and brown ink washes with arched framing line in pen and black ink, bordered in pink watercolor on modern cream laid paper · 1839
Cleveland Museum of Art

Isaac L. Varian
Auguste Edouart
Sepia ink, ink wash and cut paper on paper · 1839
National Portrait Gallery

Henry Laurens
William G. Armstrong
Ink wash on paper · 1835
National Portrait Gallery

Thomas Sumter
William G. Armstrong
Ink wash on illustration board · 1835
National Portrait Gallery

Moving In
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper · 1835
Cooper Hewitt, Smithsonian Design Museum

The Departure
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper · 1835
Cooper Hewitt, Smithsonian Design Museum

Ornamental woodwork detail
Félix Duban, French
Brush, pen, watercolor, possibly gouache, black ink wash Support: off-white paper mounted on off-white laid paper · 1833
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter K of a Pictoral Alphabet: Kalmucks
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter Q of a Pictoral Alphabet: Quietness
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter K of a Pictoral Alphabet: Kalmucks
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter P of a Pictoral Alphabet: Pope
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter I of a Pictoral Alphabet: Idolatry
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter M of a Pictoral Alphabet: Molière
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter L of a Pictoral Alphabet: The Reading Lesson
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letters Y and Z of a primer: Yacht/ Zéphir (Yachts driven by Zephyrs)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter U of a Pictoral Alphabet: Urania
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letter A of a primer: Ange Gardien (Guardian Angel)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the Letter G of a Pictoral Alphabet: Greek Warfare
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letter C of a pictorial alphabet: Confession
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum

Design for the letter B of a pictorial alphabet: Bienfaisance (Charity)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum