Database / Artworks
Artworks
In Like Manner Shall He Descend
Mather Brown
Pen and iron gall ink, ink washes, and graphite on off-white wove paper prepared with yellow washes · 1761
The Metropolitan Museum of Art
Theatre Scene (recto)
Gabriel
Pen and brown ink, black crayon and pink wash on laid paper (recto) · 1760
Cleveland Museum of Art
Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Gabriel
Pen and brown ink, black crayon and pink wash on laid paper (recto); pen and brown ink on laid paper (verso) · 1760
Cleveland Museum of Art
Theatre Scene (recto)
Saint-Aubin Gabriel de, French
Pen and brown ink, black crayon and pink wash on laid paper (recto) · 1760
Cleveland Museum of Art
Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Saint-Aubin Gabriel de, French
Pen and brown ink, black crayon and pink wash on laid paper (recto); pen and brown ink on laid paper (verso) · 1760
Cleveland Museum of Art
Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Aubin
Pen and brown ink, black crayon and pink wash on laid paper (recto); pen and brown ink on laid paper (verso) · 1760
Cleveland Museum of Art
Theatre Scene (recto)
Aubin
Pen and brown ink, black crayon and pink wash on laid paper (recto) · 1760
Cleveland Museum of Art
Palace on a High Terrace
Charles Michel-Ange Challe, French
Pen, chinese and brown ink washes on laid paper · 1760
Cooper Hewitt, Smithsonian Design Museum
Cardinal Pamphili Villa, Facade Decorated for a Visit of Pope Clement XIII
Paolo Posi, Italian
architecture, drawing — pen and black ink, brush and gray, pink wash, graphite on white laid paper · 1758
Cooper Hewitt, Smithsonian Design Museum
Spandrel Decoration: Fame and Truth Applauding Louis XV
François Boucher, French
Black chalk, pen and brown ink, brush and pale pink wash on white paper, lined · 1753
Cooper Hewitt, Smithsonian Design Museum
Adoration of the Shepherds
Francesco Salvator Fontebasso
Pen and brown ink and brush and black ink, with black and red ink washes, over black chalk, on ivory laid paper · 1750
Art Institute of Chicago
The Departure of Jacob
François Boucher, French
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
The Departure of Jacob
François Boucher
Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paper · 1750
Cleveland Museum of Art
Design for a Frontispiece
Pierre Edme Babel, French
Pen and black ink, brush and black ink wash on paper · 1749
Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: A Courtyard
Charles Michel-Ange Challe, French
drawing — pen and brown ink with chinese ink wash; verso: pencil and black chalk · 1742
Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: Palace Interior
Charles Michel-Ange Challe, French
drawing — pen and ink with ink washes on laid paper · 1742
Cooper Hewitt, Smithsonian Design Museum
Design for a title page or frontispiece dedicated to the Empress Maria Theresa
Johann Gottfried Eichler The Younger, German
Pen and black ink, brush and ink wash · 1742
Cooper Hewitt, Smithsonian Design Museum
South Sea Island
Lorens Gottman
Pen and black and brown ink, with brush and black, brown and pink wash, over traces of black chalk, on cream laid paper, laid down on ivory laid paper · 1728
Art Institute of Chicago
Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler
Pink wash, pen and black ink with gray washes · 1724
The Metropolitan Museum of Art
Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler, German
Pink wash, pen and black ink with gray washes · 1724
The Metropolitan Museum of Art
Shepherdesses and Young Man Playing Bagpipe
François Boucher
Charcoal with brush and gray wash, touches of yellow and blue and pink wash, and traces of pen and black ink, over graphite, on cream laid paper hinged on gray wove paper · 1723
Art Institute of Chicago
Holy Family with St. John and Two Angels
Giovanni Battista Tiepolo
Pen and brown ink and brush and brown ink wash on ivory laid paper · 1716
Art Institute of Chicago
Perspective Sketch for a Palace Interior
Giuseppe Galli Bibiena
Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash. · 1710
The Metropolitan Museum of Art
Perspective Sketch for a Palace Interior
Giuseppe Galli Bibiena, Italian
Pen and brown ink, brush and gray wash, over traces of graphite; framing lines in pen and black ink, brush and light pink wash. · 1710
The Metropolitan Museum of Art