Database / Artworks
Artworks
Landscape with Two Men Walking
Tobias Verhaecht
Pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper · 1580
Art Institute of Chicago
Landscape with Two Men Walking
Tobias Verhaecht
Pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper · 1580
Art Institute of Chicago
Landscape with Two Men Walking
Tobias Verhaecht
Pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper · 1580
Art Institute of Chicago
Holy Family in Joseph's Carpentry Shop
Jacopo da Empoli
Pen and brown ink with brush and brown wash, heightened with lead white (partially oxidized), on cream laid paper prepared with pink wash, laid down on cream wove paper · 1571
Art Institute of Chicago
A Boy on a Sled
Jost Amman
pen and black ink with brown, blue, and pink wash on laid paper · 1565
National Gallery of Art
Sketches of Tuscan Villas
Bernardo Buontalenti
Pen and brown ink with brush and brown and pink wash, over traces of graphite, on ivory laid paper, pieced and laid down on ivory laid paper · 1556
Art Institute of Chicago
Sketches of Tuscan Villas
Bernardo delle Girandole Buontalenti
Pen and brown ink with brush and brown and pink wash, over traces of graphite, on ivory laid paper, pieced and laid down on ivory laid paper · 1556
Art Institute of Chicago
The Flagellation of Christ
Jacopo Negretti, called Palma Giovane
Pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised · 1544
Art Institute of Chicago
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art
St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Correggio
Red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card · 1520
Art Institute of Chicago
St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Antonio Allegri Da Correggio
Red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card · 1520
Art Institute of Chicago
St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin
Antonio da Correggio
Red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card · 1520
Art Institute of Chicago
Detail from a Doctor's Engraved Thesis (Personification of Knowledge)
Johann Wolfgang Baumgartner, Austro–German
drawing — black chalk, pen and black ink, brush and ink wash on gray-blue laid paper
Cooper Hewitt, Smithsonian Design Museum
Composition Study of Cows in a Stream with Wooded Banks
Sawrey Gilpin
Ink wash, pen and ink and graphite on paper
Tate
Student Exercise in Wash Technique
Daniel Hudson Burnham, Jr.
Ink and ink wash on paper
Art Institute of Chicago
Graveyard Scene
Ernest C. Peixotto
ink wash
Smithsonian American Art Museum
Untitled
Federico Zuccaro, Italian
pencil, pen and ink, and ink wash on paper
Smithsonian American Art Museum
Concord
Ernest C. Peixotto
ink and ink wash
Smithsonian American Art Museum
House/Monument in Woods
Ernest C. Peixotto
ink wash
Smithsonian American Art Museum
Head of a Mesdado Girl
Howard Russell Butler
ink wash
Smithsonian American Art Museum
(Design for Fountain, Ridgefield, Connecticut)
Cass Gilbert
pen and ink, brush and ink, ink wash and charcoal on paper
Smithsonian American Art Museum
Yellowstone Geyser
Richard Norris Brooke
ink wash and brush and ink heightened with white on paper
Smithsonian American Art Museum
Untitled
Fabrizio Santafede, Italian
pen and ink and ink wash on paper
Smithsonian American Art Museum
Col. Wm. Duane
Charles Balthazar Julien Fevret de Saint-Memin
ink wash
Smithsonian American Art Museum