Database / Artworks
Artworks
View of the Midwest Plains
Frédéric Bartholdi
watercolor, graphite, ink wash, and gouache on paper · 1866
Cleveland Museum of Art
"On the Corniche Road," an early idea for "Sketches Abroad with Pen and Pencil"
Felix Octavius Carr Darley
Brown ink wash over graphite · 1866
The Metropolitan Museum of Art
Girls Going Down a Lane
Kate Greenaway
Pen and red-brown ink, with brush and yellow and pink wash, on cream wove card · 1866
Art Institute of Chicago
View of the Midwest Plains
Frédéric Bartholdi
watercolor, graphite, ink wash, and gouache on paper · 1866
Cleveland Museum of Art
The Hanged Man
Charles Victor Hugo
Brush and ink wash on wove paper · 1850
The Metropolitan Museum of Art
Studies of Horses
Jules Delaunay
Graphite, with ink wash and touches of gouache, on buff wove paper · 1848
Art Institute of Chicago
Blacksmith in the Goldfields
Felix Octavius Carr Darley
black ink wash over graphite on wove paper · 1848
National Gallery of Art
Uncle Toby and the Fly, from Laurence Sterne's "Tristram Shandy"
Felix Octavius Carr Darley
Graphite and ink wash · 1847
The Metropolitan Museum of Art
Uncle Toby, from Laurence Sterne's "Tristram Shandy"
Felix Octavius Carr Darley
Graphite and ink wash · 1847
The Metropolitan Museum of Art
Young Man Leaning Forward with Outstretched Arms (Study for Soldiers Distributing Bread to the Poor)
Isidore Pils
oil, brown oil wash or ink wash, and black crayon · 1846
Cleveland Museum of Art
Elias Howe
William Henry Brown
Cut paper, opaque white and ink wash on board · 1843
National Portrait Gallery
Costume of a Bandit, Rome
Miner Kilbourne Kellogg
pen and ink, ink wash, and pencil on paper · 1841
Smithsonian American Art Museum
Asnæs Skov, Bay at Kalundborg Fjord
Johan Lundbye
Pen and black ink and gray and brown ink washes with arched framing line in pen and black ink, bordered in pink watercolor on modern cream laid paper · 1839
Cleveland Museum of Art
Moving In
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper · 1835
Cooper Hewitt, Smithsonian Design Museum
The Departure
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper · 1835
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter K of a Pictoral Alphabet: Kalmucks
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter Q of a Pictoral Alphabet: Quietness
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter K of a Pictoral Alphabet: Kalmucks
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter P of a Pictoral Alphabet: Pope
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter I of a Pictoral Alphabet: Idolatry
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter M of a Pictoral Alphabet: Molière
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter L of a Pictoral Alphabet: The Reading Lesson
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letters Y and Z of a primer: Yacht/ Zéphir (Yachts driven by Zephyrs)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter U of a Pictoral Alphabet: Urania
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum