Database / Artworks
Artworks
Design for the letter A of a primer: Ange Gardien (Guardian Angel)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter G of a Pictoral Alphabet: Greek Warfare
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter C of a pictorial alphabet: Confession
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter B of a pictorial alphabet: Bienfaisance (Charity)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter D of a Pictorial Alphabet: Dieu (God)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter E of a Pictoral Alphabet: Etude (Study)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter T of a Pictoral Alphabet: Turk
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter O of a Pictoral Alphabet: Odalisque
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter N of a Pictoral Alphabet: Napoléon
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letters V and X of a Pictoral Alphabet: Victoire/Xystus (Victory in the Xystus)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter S of a primer: Satan
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter J of a Pictoral Alphabet: Jupiter
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Vessel of the Russian Line (Vaisseau de ligne russe)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper · 1827
Art Institute of Chicago
Vessel of the Russian Line (Vaisseau de ligne russe)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper · 1827
Art Institute of Chicago
John Eliot Preaching to the Indians
Felix Octavius Carr Darley
Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white wove paper · 1822
The Metropolitan Museum of Art
John Eliot Preaching to the Indians
Felix Octavius Carr Darley
Ink washes, graphite, gum arabic, and sgraffito on smooth-surfaced off-white wove paper · 1822
The Metropolitan Museum of Art
Panoramic View of Seaside Town
John Skinner Prout
Graphite, with brush and gray and pink wash, on ivory wove paper · 1820
Art Institute of Chicago
Study for Caisson d'artillerie
Jean Louis André Théodore Géricault
Graphite with brown ink wash on ivory wove paper · 1818
Art Institute of Chicago
![Man Holding a Book [recto]](https://api.nga.gov/iiif/375f8d6f-d222-4a5f-9209-f4269cdf7d75/full/!800,800/0/default.jpg)
Man Holding a Book [recto]
Thomas Sully
black ink wash and graphite on laid paper · 1810
National Gallery of Art
Christ in the Garden of Gethsemane
Robert Walter Weir
Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper · 1803
The Metropolitan Museum of Art
Christ in the Garden of Gethsemane
Robert Walter Weir
Black and gray ink washes, pen and brown ink, watercolor, and graphite on off-white wove paper · 1803
The Metropolitan Museum of Art
Study for frontispiece from Marmion
Thomas Stothard
Ink Wash on paper · 1803
Art Institute of Chicago
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago
Study for a plate from The Task
Thomas Stothard
Ink wash on paper · 1795
Art Institute of Chicago