Database / Artworks
Artworks
Virgin Mary Handing Scapular to Saint Simon Stock
Veronese (Paolo Caliari)
Pen and iron gall ink and brown and gray wash, heightened with lead white, on blue laid paper, laid down on blue wove paper and ivory laid card · 1550
Art Institute of Chicago
Virgin Mary Handing Scapular to Saint Simon Stock
Paolo Veronese
Pen and iron gall ink and brown and gray wash, heightened with lead white, on blue laid paper, laid down on blue wove paper and ivory laid card · 1550
Art Institute of Chicago
Head of a Man
Hans Sebald Beham
Pen and iron gall ink (laid down) · 1549
The Metropolitan Museum of Art
The Flagellation of Christ
Jacopo Negretti, called Palma Giovane
Pen and brown and black ink and brush and iron-gall ink wash, over black chalk, heightened with white gouache, on tan laid paper, pieced along right edge and incised · 1544
Art Institute of Chicago
The Assumption of the Virgin
Tintoretto
Pen and iron gall ink with brush and brown wash, heightened with white gouache, on tan laid paper, pieced together and laid down on gray laid paper · 1539
Art Institute of Chicago
Three Candelabra
Giovanni Battista Montano
Pen and iron gall ink with brush and brown wash, over black chalk, on cream laid paper, laid down on tan laid paper · 1534
Art Institute of Chicago
Armor for Field and Tournament
T
Steel with gilding, iron, brass, leather, and cord · 1530
Art Institute of Chicago
Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures
Bartolomeo Passarotti
pen and iron gall ink on laid paper · 1529
National Gallery of Art
Studies of a Sculpture of a Male Nude, Vertebrae, and Gesturing Figures
Bartolomeo Passarotti
pen and iron gall ink on laid paper · 1529
National Gallery of Art
Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso)
Perino del Vaga
Pen and iron gall ink (recto) and pen and black and brown ink (verso), on ivory laid paper, prepared with a red chalk wash · 1528
Art Institute of Chicago
Study of a Nude Seen from the Back, and Two Studies of an Arm (recto); Nude Seen from the Back, with Subsidiary Studies of a Shoulder and Leg (verso)
Perino del Vaga
Pen and iron gall ink (recto) and pen and iron gall ink, with touches of red chalk (verso) on cream laid paper · 1528
Art Institute of Chicago
Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso)
Perino del Vaga
Pen and iron gall ink (recto) and pen and black and brown ink (verso), on ivory laid paper, prepared with a red chalk wash · 1528
Art Institute of Chicago
Landscape with the Cannon
Albrecht Dürer
etching (iron) on laid paper · 1518
National Gallery of Art
Landscape with the Cannon
Albrecht Dürer
etching (iron) on laid paper · 1518
National Gallery of Art
Abduction on a Unicorn
Albrecht Dürer
etching (iron) on laid paper · 1516
National Gallery of Art
The Sudarium Held by One Angel
Albrecht Dürer
etching (iron) on laid paper · 1516
National Gallery of Art
Christ on the Mount of Olives
Albrecht Dürer
etching (iron) on laid paper · 1515
National Gallery of Art
The Man of Sorrows Seated
Albrecht Dürer
etching (iron) on laid paper · 1515
National Gallery of Art
The Desperate Man
Albrecht Dürer
etching (iron) on laid paper · 1514
National Gallery of Art
The Madonna and Child with Saints in a Landscape (Sacra Conversazione)
Vittore Carpaccio
pen and brown ink (iron gall) with brown wash over black chalk on laid paper (cut vertically at center and reattached, laid on nineteenth century mount) · 1500
National Gallery of Art
Pendant mask of Ìyọ́bà Idià
carving
Ivory, iron, brass, coal, traces of iron oxides · 1500
The Metropolitan Museum of Art
Fall of the Damned (recto); Sketches of Seated Saint John the Baptist (verso)
Cigoli
Pen and iron gall ink with brush and blue and brown wash, possibly over traces of black chalk (recto), and pen and brown ink with brush and blue and gray ink and red chalk (verso), on tan laid paper · 1500
Art Institute of Chicago
The Nativity, in Coffer
Master of the Unicorn Hunt
Woodcut in black, hand colored with brush, stencil and watercolor on ivory laid paper mounted on the inside cover of a coffer, constructed of wood, iron, leather, horsehair and linen · 1485
Art Institute of Chicago
Candlestick
Andrea del Verrocchio
bronze (metal), iron (metal) · 1468
Rijksmuseum