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Artworks

19,229 records · ivory
Plate 18, from Landscapes with Farmhouses
Plate 18, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 16, from Landscapes with Farmhouses
Plate 16, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 19, from Landscapes with Farmhouses
Plate 19, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 14, from Landscapes with Farmhouses
Plate 14, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 17, from Landscapes with Farmhouses
Plate 17, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 15, from Landscapes with Farmhouses
Plate 15, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 12, from Landscapes with Farmhouses
Plate 12, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 13, from Landscapes with Farmhouses
Plate 13, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 10, from Landscapes with Farmhouses
Plate 10, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 9, from Landscapes with Farmhouses
Plate 9, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 6, from Landscapes with Farmhouses
Plate 6, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 8, from Landscapes with Farmhouses
Plate 8, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 11, from Landscapes with Farmhouses
Plate 11, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 4, from Landscapes with Farmhouses
Plate 4, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 3, from Landscapes with Farmhouses
Plate 3, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 7, from Landscapes with Farmhouses
Plate 7, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Plate 5, from Landscapes with Farmhouses
Plate 5, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching on ivory laid paper · 1614
Art Institute of Chicago
Title-plate, from Landscapes with Farmhouses
Title-plate, from Landscapes with Farmhouses
Boetius Adams Bolswert
Etching, with engraving, on ivory laid paper · 1614
Art Institute of Chicago
Gods on Olympus
Gods on Olympus
François Verdier
Black chalk, brush and gray wash, on tan laid paper, pieced together and laid down on ivory laid paper · 1614
Art Institute of Chicago
Fragment of an Assumption (?) Scene: Apostles, with Saint Francis of Assisi in the Foreground
Fragment of an Assumption (?) Scene: Apostles, with Saint Francis of Assisi in the Foreground
Alessandro Turchi
Pen and brush and brown ink, with brush and brown wash, over black chalk, on cream laid paper, laid down on ivory laid paper · 1614
Art Institute of Chicago
The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici
The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici
Jacques Callot
Engraving on ivory laid paper · 1614
Art Institute of Chicago
Farm Under Thatched Roofs
Farm Under Thatched Roofs
Abraham Bloemaert
Pen and brown ink, over traces of black chalk, on ivory laid paper · 1614
Art Institute of Chicago
The Last Communion of Saint Jerome
The Last Communion of Saint Jerome
Domenichino
Red chalk, with stumping, on ivory laid paper · 1614
Art Institute of Chicago
Sacrifice of Isaac (recto); Jacob's Dream (verso)
Sacrifice of Isaac (recto); Jacob's Dream (verso)
Giovanni Francesco Barbieri (called Guercino)
Pen and brown ink on ivory laid paper · 1613
Art Institute of Chicago
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