Database / Artworks
Artworks
Maple Tree
Sylvia Plimack Mangold
Drypoint and etching in gray on ivory wove paper · 1998
Art Institute of Chicago
Untitled (Brand Markings)
Christine Hiebert
Pen and black ink on ivory wove paper · 1998
Art Institute of Chicago
Untitled (Brand Markings)
Christine Hiebert
Pen and black ink on ivory wove paper · 1998
Art Institute of Chicago
Untitled (Brand Markings)
Christine Hiebert
Pen and black ink on ivory wove paper · 1998
Art Institute of Chicago
The Maple Tree
Sylvia Plimack Mangold
Lithograph in brown on ivory wove paper · 1998
Art Institute of Chicago
Cotton
Kara Walker
Etching, aquatint, and spitbite in black on ivory China paper laid down on white wove paper (chine collé) · 1997
Art Institute of Chicago
Li'l Patch
Kara Walker
Etching, aquatint, and spitbite in black on ivory China paper laid down on white wove paper (chine collé) · 1997
Art Institute of Chicago
Untitled (The Last Taste)
Kara Walker
Etching, aquatint, and spitbite in black on ivory China paper laid down on white wove paper (chine collé) · 1997
Art Institute of Chicago
Vanishing Act
Kara Walker
Etching, aquatint, and spitbite in black on ivory China paper laid down on white wove paper (chine collé) · 1997
Art Institute of Chicago
Untitled (holiday card)
Robert Mangold
Linocut in green on ivory Japanese paper · 1997
Art Institute of Chicago
Nicole: March 1997
Kent Bellows
Graphite, with touches of erasing, on ivory wove paper · 1997
Art Institute of Chicago
Untitled
Rosemarie Trockel
Acrylic on ivory wove paper · 1996
Art Institute of Chicago
Untitled (Chair Sketches)
Frank O. Gehry
Felt-tipped pen and black ink on ivory wove paper · 1995
Art Institute of Chicago
Las Vegas
Saul Steinberg
Color etching and aquatint on ivory wove paper · 1995
Art Institute of Chicago
9.21.95
Mark Sheinkman
Graphite on ivory wove paper · 1995
Art Institute of Chicago
Crystal Blue Cathedral
Raymond Pettibon
Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, folded into multiple signatures and sewn through the fold in a quarter-cloth binding with marbled paper covered boards with loose collage elements and blue ribbon page marker · 1994
Art Institute of Chicago
Study for "Many Mansions"
Kerry James Marshall
Black and white Conté crayon, with stumping, on ivory wove paper · 1994
Art Institute of Chicago
Drawing for Untitled
Martin Puryear
Black Conté crayon, with smudging, on ivory wove paper · 1994
Art Institute of Chicago
Under the X's
Richmond Burton
Etching, with drypoint, sugar lift and spit bite on ivory wove paper · 1994
Art Institute of Chicago
12” Plate
Mel Bochner
Aquatint in black on ivory wove paper · 1994
Art Institute of Chicago
Untitled (holiday card)
Robert Mangold
Color linocut, with watercolor and traces of graphite, on ivory Japanese paper · 1994
Art Institute of Chicago
For Samsa and Mother, Father, and Uncles, from Franz Kafka: Dreams, Diaries, and Fragments
Robert Andrew Parker
Etching and aquatint on ivory wove paper · 1994
Art Institute of Chicago
August 15, 1914 Diaries, from Franz Kafka: Dreams, Diaries, and Fragments
Robert Andrew Parker
Etching and aquatint on ivory wove paper · 1994
Art Institute of Chicago
Diaries 1912, March 17, from Franz Kafka: Dreams, Diaries, and Fragments
Robert Andrew Parker
Etching and aquatint on ivory wove paper · 1994
Art Institute of Chicago