Database / Artworks
Artworks
View of the Port of Amsterdam with the Office of the Water Authority (Title Page)
Reinier Nooms, called Zeeman
etching with drypoint on laid paper · 1647
National Gallery of Art
Verscheÿde Schepen en Gesichten van Amstelredam (Various Ships and Views of Amsterdam): Part III
Reinier Nooms, called Zeeman
complete set of twelve etchings with drypoint on laid paper · 1647
National Gallery of Art
Groenendael Abbey
Wenceslaus Hollar
etching on laid paper · 1647
National Gallery of Art
Head of a Young Man in a Feathered Hat (so-called Self-Portrait)
Giovanni Benedetto Castiglione
etching on laid paper · 1647
National Gallery of Art
Christ on the Cross
Alessandro Algardi
pen and brown ink over red chalk on laid paper · 1647
National Gallery of Art
Jan Six
Rembrandt van Rijn
etching, drypoint, and engraving on laid paper · 1647
National Gallery of Art
Kostverloren Castle in Decay
Rembrandt Harmenszoon van Rijn
Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper · 1647
Art Institute of Chicago
Kostverloren Castle in Decay
Rembrandt Van Rijn, Dutch
Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper · 1647
Art Institute of Chicago
Massacre of the Innocents
Domenico Piola
Pen and brown ink, brush and brown wash, over black chalk, on ivory laid paper · 1647
Art Institute of Chicago
Still-Life with a Group of Muffs, a Pair of Gloves, and Two Kerchiefs
Wenceslaus Hollar
Etching in black on cream laid paper · 1647
Art Institute of Chicago
Ecstasy of a Female Saint
Domenico Piola
Brush and brown wash, over black chalk, on ivory laid paper, laid down on cream laid paper · 1647
Art Institute of Chicago
Allegory of Victory
Domenico Piola
Pen and iron gall ink, with brush and brown wash, over traces of black chalk on cream laid paper, laid down on ivory laid paper with blue fibers · 1647
Art Institute of Chicago
Descent from the Cross
Domenico Piola
Pen and brown ink and brush and brown wash, over traces of black chalk, on ivory laid paper, laid down on ivory wove card · 1647
Art Institute of Chicago
Holy Family with Saint Anne and Infant Saint John the Baptist
Domenico Piola
Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, tipped onto cream wove paper · 1647
Art Institute of Chicago
Vision of Saint Dominic
Domenico Piola
Pen and brown ink, with brush and brown wash, over traces of black chalk on ivory laid paper, tipped onto ivory laid paper · 1647
Art Institute of Chicago
Sketches of Religious Scenes
Domenico Piola
Pen and brown ink, with brush and brown wash on ivory laid paper, tipped onto cream laid paper · 1647
Art Institute of Chicago
Plaster Cast of Left Hand
Onorio Marinari
Red chalk with stumping on ivory laid paper, laid down on ivory laid paper · 1647
Art Institute of Chicago
Johann Wolfert van Brederode, from Effigies Variae
Cornelis Visscher
Engraving on ivory laid paper · 1647
Art Institute of Chicago
Young Bacchus Riding a Leopard Led By a Satyr Blowing a Horn
Wenceslaus Hollar
Etching on ivory laid paper · 1647
Art Institute of Chicago
Sacrifice of Isaac (recto); Figure Sketches (verso)
Domenico Piola
Pen and brown ink, with brush and brown wash, over black chalk (recto) and black chalk (verso) on ivory laid paper, tipped onto tan wove paper · 1647
Art Institute of Chicago
Bearded Man
Wenceslaus Hollar
Etching on ivory laid paper · 1647
Art Institute of Chicago
Westminster Hall (New Palace Yard and the Clock House)
Wenceslaus Hollar
Etching on ivory laid paper · 1647
Art Institute of Chicago
Cavalry Escorting Coach
Hendrik Verschuring
Red chalk on ivory laid paper · 1647
Art Institute of Chicago
Sir Henry Guildford
Wenceslaus Hollar
Etching on ivory laid paper · 1647
Art Institute of Chicago